| 000 | 01336 a2200181 4500 | ||
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| 001 | 1575 | ||
| 003 | OSt | ||
| 005 | 20241016145242.0 | ||
| 008 | 241016b |||||||| |||| 00| 0 eng d | ||
| 040 | _c-- | ||
| 245 | 0 |
_aChris Marker: La Jetě _c/ Harbord, Janet |
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| 260 |
_aLondon; _bAfterall Books; _c2009 |
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| 490 | _aOne Work Series. Series editor: Mark Lewis | ||
| 520 | _aChris Marker's legendary "cin řoman" ("film novel") La Jetě (1962) is considered one of the greatest and most influential experimental films of all time. This short film--a postapocalyptic story composed almost entirely of black-and-white still photographs -- has been praised by cultural theorists and Netflix subscribers alike. In this illustrated study of "La Jetee," Janet Harbord focuses in part on the film's treatment of time -- its shifts from a pre-war past to a projected future a further future of the future (each with its own signature images and sound) -- arguing that in this way it addresses the nature of consciousness and the simultaneity of time-frames that we inhabit. Harbord moves easily from a close reading of the film to discussions of broader cultural issues, lucidly piecing together the enigma that is "La Jetee." | ||
| 546 | _aEnglish | ||
| 650 |
_aTR845-899 Technology- Cinematography. Motion pictures _92881 |
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| 942 |
_cBK _2lcc |
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| 999 |
_c1575 _d1575 |
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