| 000 | 01228 a2200193 4500 | ||
|---|---|---|---|
| 001 | 1327 | ||
| 003 | OSt | ||
| 005 | 20241104121744.0 | ||
| 008 | 241104b |||||||| |||| 00| 0 eng d | ||
| 020 | _a9781635872989 | ||
| 040 | _c-- | ||
| 100 |
_aWatkins, Jonathan _95913 |
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| 245 | 0 | _aArt and Its Objects: Five Essays on Contemporary Art Selected by Jonathan Watkins | |
| 260 |
_aBaghdad; _bRuya Foundation for Contemporary Culture; _c2017 |
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| 490 |
_aRuya Notebooks; _v#1 |
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| 520 | _aJonathan Watkins is Director of Ikon Gallery in Birmingham and a collaborator of the Ruya Foundation. His Ruya Notebook will include a new introductory essay by Watkins entitled ‘Art and its Objects’ and the following five texts: John Berger, Ways of Seeing, ‘Chapter 1’ (1972) Alfred Gell, ‘Vogel’s Net: Traps as Artworks and Artworks as Traps’, first published in Journal of Material Culture (1996) Michel Houellebecq, The Map and the Territory, ‘Preface’ (2010) Will Self, ‘Are the hyper-rich ruining the new Tate Modern?’, first published in The Guardian (2014) Gavin Brown and Daniel Baumann, ‘The Demise of the Future’, first published in Spike (2014) | ||
| 546 | _aEnglish Arabic | ||
| 942 |
_cBK _2lcc |
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| 999 |
_c1327 _d1327 |
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