000			02040 a2200205 4500
001			1173
003			OSt
005			20241118154306.0
008			241118b |||||||| |||| 00| 0 eng d
020			_a9783943365634
040			_c--
245		4	_aThe Human Snapshot- LUMA III _c/ Editors: Thomas Keenan; Tirdad Zolghadr
260			_bLUMA Foundation; Center for Curatorial Studies, Bard College, NY; Sternberg Press, Berlin _c2013
300			_a320p; _c27x17cm
520			_aThe Human Snapshot draws upon a conference of the same name organized by the LUMA Foundation and Center for Curatorial Studies at Bard College that took place in Arles, France, in 2011. The conference contributions and subsequent essays examine contemporary forms of humanism and universalism as they circulate and are produced in art and photography. The look toward these two terms stems from theorist Ariella Azoulay's research on the seminal exhibition "The Family of Man," first installed at the Museum of Modern Art in New York in 1955, which she frames as a lens through which to view universalism at play. These values have been under conceptual assault in recent years, yet they continue to proliferate--even through the visual arts, where humanism and universalism are customarily dismissed. The Human Snapshot takes these themes and wrestles with their application in the use of photography, the exhibition format, contemporary democracy, human rights discourse, and the power of the image at large. Copublished by the LUMA Foundation and the Center for Curatorial Studies at Bard College (CCS Bard) Contributors Ariella Azoulay, Bassam El Baroni, Roger M. Buergel, George Didi-Huberman, Michel Feher, Hal Foster, Anselm Franke, Dominique Gonzalez-Foerster, Sandi Hilal and Alessandro Petti, Maja Hoffmann, Denis Hollier, Thomas Keenan, Alex Klein, Suhail Malik, Marion von Osten, Katya Sander, Hito Steyerl, Eyal Weizman, Tirdad Zolghadr
546			_aEnglish
700			_aKeenan, Thomas _96153
700			_aZolghadr, Tirdad
942			_cBK _2lcc
999			_c1173 _d1173