Sharjah Art Foundation Library
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Farhad Moshiri: Life is beautiful Volume 1/

Contributor(s): Material type: TextTextPublication details: SKIRA Editore; 2016Description: 195p; 30x26cmISBN:
  • 9788857231747; 9788857229836
Subject(s): Summary: Foreword by Negar Azimi Text in English by Dina Nasser-Khadivi, Farhad Moshiri, Dr. Maryam Ekhtiar, Aram Moshayedi Farhad Moshiri’s mixed-media practice spans painting, assemblage, and sculpture. Inspired by pop art and conceptualism, he has developed a profoundly hybrid aesthetics at the crossroads of the Middle East and the West. While he usually draws his motifs from American consumer culture (comics, advertising, pop music), he reinterprets them through equally clichéd traditional Persian craftsmanship. His embrace of delicate ornamental techniques, ranging from hand embroidery to calligraphy, offers an ironic and powerful contrast to his otherwise lowbrow visual references. His signature use of sparkly materials (beads, glitter, diamonds) further creates a palpable tension between the primarily figurative quality of his works and their inclination toward pure embellishment. Beneath its humorous and light appearance, Moshiri’s oeuvre takes on a slightly subversive dimension by touching upon his native country’s current transformation.
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Item type Current library Collection Call number Status Date due Barcode
Book Book SAF Reference Library Visual Arts N8350-8356 135.132 (Browse shelf(Opens below)) Available 6022

Foreword by Negar Azimi Text in English by Dina Nasser-Khadivi, Farhad Moshiri, Dr. Maryam Ekhtiar, Aram Moshayedi Farhad Moshiri’s mixed-media practice spans painting, assemblage, and sculpture. Inspired by pop art and conceptualism, he has developed a profoundly hybrid aesthetics at the crossroads of the Middle East and the West. While he usually draws his motifs from American consumer culture (comics, advertising, pop music), he reinterprets them through equally clichéd traditional Persian craftsmanship. His embrace of delicate ornamental techniques, ranging from hand embroidery to calligraphy, offers an ironic and powerful contrast to his otherwise lowbrow visual references. His signature use of sparkly materials (beads, glitter, diamonds) further creates a palpable tension between the primarily figurative quality of his works and their inclination toward pure embellishment. Beneath its humorous and light appearance, Moshiri’s oeuvre takes on a slightly subversive dimension by touching upon his native country’s current transformation.

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