01866nam a2200169Ia 45000010005000000080041000050200018000462450028000642600057000923000020001495201440001695460012016096500013016216500044016346500009016786510009016876542260430s9999    xx            000 0 und d  a9781912719648 4aThe Fold/ cHoda Afshar  aMarseille; London; bLoose Joints Publishing; c2025  a228p; c25x25cm  aThrough critical reappropriation, Afshar reclaims a colonial photographic legacy fixated on the veiled woman.  The Fold is a critical visual and psychological investigation into the enduring legacy of Orientalist and colonialist photographic practices, and the ways in which these gazes continue to shape how bodies—particularly veiled Islamic bodies—are seen, archived, and consumed.  This new body of work by Iranian artist Hoda Afshar takes as its starting point the vast archive of Gaëtan Gatian de Clérambault (1872–1934), a French psychiatrist and photographer who, in the early 20th century, produced thousands of images of veiled women—and sometimes men—in Morocco. Encountered by Afshar during her research at the musée du quai Branly - Jacques Chirac in Paris, these photographs were originally used by de Clérambault to support psychoanalytic theories around fantasy, covering, and desire, all filtered through a deeply colonial lens. This experimental book gathers more than 960 of Afshar’s silver gelatin reappropriations of de Clérambault’s archive, each one a gesture of reworking, refusal, and critical reflection. The Fold includes essays by Ali Behdad and Annabelle Lacour, a conversation between Taous Dahmani and the artist, and is published to accompany Afshar’s solo exhibition Hoda Afshar. Performer l'invisible, at the musée du quai Branly - Jacques Chirac (30/9/2025 – 25/1/2026).  aEnglish  aArchives  aN8350-8356 Art as a profession. Artists  aVeil  aIran