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A Theory of Birds: Poems by Zaina Alsous/ Series editor: Hayan Charara and Fady Joudah

Material type: TextTextSeries: Etel Adnan Poetry SeriesPublication details: Fayetteville; University of Arkansas; 2019Description: 74p; 22x14cmISBN:
  • 9781682261040
Subject(s): LOC classification:
  • PS3601.L694 A6 2019
Summary: This layering of bird, woman, place, technology, and ceremony, which begins this first full-length collection by Zaina Alsous, mirrors the layering of insights that marks the collection as a whole. The poems in A Theory of Birds draw on inherited memory, historical record, critical theory, alternative geographies, and sharp observation. In them, birds—particularly extinct species—become metaphor for the violences perpetrated on othered bodies under the colonial gaze. Putting ecological preservation in conversation with Arab racial formation, state vernacular with the chatter of birds, Alsous explores how categorization can be a tool for detachment, domination, and erasure. Stretching their wings toward de-erasure, these poems—their subjects and their logics—refuse to stay put within a single category. This is poetry in support of a decolonized mind.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Book Book SAF Reference Library Language and Literature PN1010-1525 40.665 (Browse shelf(Opens below)) Available 6411
Browsing SAF Reference Library shelves, Collection: Language and Literature Close shelf browser (Hides shelf browser)
PJ7501-8517 230.655 كتاب النوم/ PN3311-3503 35.014 Open City: A Novel/ PJ7501-8517 52.1551 Traces of Enayat/ PN1010-1525 40.665 A Theory of Birds: Poems by Zaina Alsous/

This layering of bird, woman, place, technology, and ceremony, which begins this first full-length collection by Zaina Alsous, mirrors the layering of insights that marks the collection as a whole. The poems in A Theory of Birds draw on inherited memory, historical record, critical theory, alternative geographies, and sharp observation. In them, birds—particularly extinct species—become metaphor for the violences perpetrated on othered bodies under the colonial gaze. Putting ecological preservation in conversation with Arab racial formation, state vernacular with the chatter of birds, Alsous explores how categorization can be a tool for detachment, domination, and erasure. Stretching their wings toward de-erasure, these poems—their subjects and their logics—refuse to stay put within a single category. This is poetry in support of a decolonized mind.

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