Photography's Orientalism: New essays on Colonial Representation/ Edited by Ali Behdad and Luke Gartlan

Contributor(s):

Material type: Text

TextSeries: Getty Research Institutes- Issues & DebatesPublication details: Los Angeles; Getty Research Institute; 2013Description: 215p; 25x18cmISBN:

9781606061510

Subject(s):

DDC classification:

778.9'9956--dc23

LOC classification:

NX650.E85P49 2013

Summary: Photography’s Orientalism is a collection of essays that explore how 19th- and early 20th-century photography helped shape and sustain Europe’s Orientalist vision of the Middle East and India. The volume examines both European and non-European photographers working in these regions, showing how photographic practices were entwined with colonial, touristic, and ideological imperatives. It investigates how images of the “Orient” were constructed, circulated, consumed, and contested. Contributors: Ali Behdad, Luke Gartlan, Christopher Pinney, Mary Roberts, Nancy Micklewright, Esra Akcan, Darcy Grimaldo Grigsby, Hannah Feldman, Rob Linrothe, John Tagg.

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Book	Photography Gallery	Technology- Photography, Cinematography, Electronic Media	TR624-835 155.261 (Browse shelf(Opens below))	Available		5980

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Previous	TR624-835 59.223 See/Saw: Looking at Photographs/	TR624-835 59.224 Shadi Ghadirian: A Woman Photographer from Iran/	TR624-835 59.225 Photography after Postmodernism: Barthes, Stieglitz and the art of memory/	TR624-835 155.261 Photography's Orientalism: New essays on Colonial Representation/	TR624-835 183.05 Photography on the Color Line: W. E. B. Du Bois, Race, and Visual Culture/	TR624-835 183.06 Picturing Black History: Photographs and Stories That Changed The World/	TR624-835 218.157 Northern Plains Native Americans: A Modern Wet Plate Perspective/	Next

Photography’s Orientalism is a collection of essays that explore how 19th- and early 20th-century photography helped shape and sustain Europe’s Orientalist vision of the Middle East and India. The volume examines both European and non-European photographers working in these regions, showing how photographic practices were entwined with colonial, touristic, and ideological imperatives. It investigates how images of the “Orient” were constructed, circulated, consumed, and contested. Contributors: Ali Behdad, Luke Gartlan, Christopher Pinney, Mary Roberts, Nancy Micklewright, Esra Akcan, Darcy Grimaldo Grigsby, Hannah Feldman, Rob Linrothe, John Tagg.

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