Civil Imagination: A Political Ontology of Photography/ Areilla Aisha Azoulay
Material type:
TextPublication details: UK; Verso; 2015Description: 288p; 23x15cmISBN: - 9781784783037
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Photography Gallery | Technology- Photography, Cinematography, Electronic Media | TR624-835 59.22 (Browse shelf(Opens below)) | Available | 5974 |
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| TR624-835 59.217 Firecrackers: Female Photographers Now/ | TR624-835 59.218 Race Stories: Essays on the Power of Images/ | TR624-835 59.219 Memory Unearthed: The Lodz Ghetto Photographs of Henryk Rozencwaijg-Ross/ | TR624-835 59.22 Civil Imagination: A Political Ontology of Photography/ | TR624-835 59.221 Photography After Capitalism/ | TR624-835 59.222 The Photography Storytelling Workshop A five-step guide to creating unforgettable photographs/ | TR624-835 59.223 See/Saw: Looking at Photographs/ |
In Civil Imagination, Azoulay reconceptualizes photography not as a mere product (a static image) but as a practice—a relational event involving the photographer, the subject, and the spectator. She argues that photography has the potential to foster “civil knowledge,” meaning forms of address, responsibility, and shared existence that resist sovereign power. By shifting the focus from representation to civic engagement, she proposes that images can create new forms of solidarity and political imagination among people, especially across situations of exclusion or conflict.
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