Hélène Binet/ Martino Stierli, Marco Iuliano

Contributor(s):

Material type: Text

TextSeries: Architectural PhotographersPublication details: London; Lund Humphries Publishers; 2024Description: 160p; 29x25cmISBN:

9781848225947

Subject(s):

Summary: A retrospective monograph that traces over forty years of the Swiss-French photographer’s career in architectural photography, highlighting her unique ability to capture light, form, and atmosphere. Through essays by Marco Iuliano and Martino Stierli, the book situates Binet’s work both biographically and theoretically, exploring her use of analog photography to translate architecture into poetic, abstract, and tactile images. Organized thematically, the monograph shows how her photographs transcend documentation to become autonomous works of art, raising questions about the relationship between architecture and its photographic representation.

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Book	Photography Gallery	Technology- Photography, Cinematography, Electronic Media	TR624-835 59.216 (Browse shelf(Opens below))	Available		5970

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Previous	TR624-835 10.253 The Synthetic Eye: Photography Transformed in the Age of AI/	TR624-835 59.214 The Civil Contract of Photography/	TR624-835 59.215 Of Love & War/	TR624-835 59.216 Hélène Binet/	TR624-835 59.217 Firecrackers: Female Photographers Now/	TR624-835 59.218 Race Stories: Essays on the Power of Images/	TR624-835 59.219 Memory Unearthed: The Lodz Ghetto Photographs of Henryk Rozencwaijg-Ross/	Next

A retrospective monograph that traces over forty years of the Swiss-French photographer’s career in architectural photography, highlighting her unique ability to capture light, form, and atmosphere. Through essays by Marco Iuliano and Martino Stierli, the book situates Binet’s work both biographically and theoretically, exploring her use of analog photography to translate architecture into poetic, abstract, and tactile images. Organized thematically, the monograph shows how her photographs transcend documentation to become autonomous works of art, raising questions about the relationship between architecture and its photographic representation.

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