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The Synthetic Eye: Photography Transformed in the Age of AI/ Fred Ritchin

By: Material type: TextTextPublication details: London; Thames & Hudson; 2025Description: 239p; 23x15cmISBN:
  • 9780500297391
Subject(s): Summary: The Synthetic Eye explores how AI is radically reshaping the nature and meaning of photography. Ritchin argues that the traditional relationship between photographs, reality, and truth is under pressure: with synthetic imaging (i.e. AI-generated or AI-manipulated images) becoming more sophisticated, the boundary between “real” photographs and fabricated ones is increasingly blurred. He traces the historical trajectory of the photographic medium and juxtaposes it with contemporary AI-driven imagery to show how our sense of visual evidence, authenticity, and trust in images is being challenged. Ritchin does not dismiss the potential of these new modes of image-making; rather, he invites readers to consider how photography might adapt, evolve, or reclaim its ethical role in this new ecosystem.
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Holdings
Item type Current library Collection Call number Status Date due Barcode
Book Book Photography Gallery Technology- Photography, Cinematography, Electronic Media TR624-835 10.253 (Browse shelf(Opens below)) Available 5967
Browsing SAF Reference Library shelves, Collection: Technology- Photography, Cinematography, Electronic Media Close shelf browser (Hides shelf browser)
TR624-835 30.651 Listening to Images/ TR624-835 30.651 Listening to Images/ TR624-835 10.024 Understanding a Photograph/ TR624-835 10.253 The Synthetic Eye: Photography Transformed in the Age of AI/ TR624-835 59.214 The Civil Contract of Photography/ TR624-835 59.215 Of Love & War/ TR624-835 59.216 Hélène Binet/

The Synthetic Eye explores how AI is radically reshaping the nature and meaning of photography. Ritchin argues that the traditional relationship between photographs, reality, and truth is under pressure: with synthetic imaging (i.e. AI-generated or AI-manipulated images) becoming more sophisticated, the boundary between “real” photographs and fabricated ones is increasingly blurred. He traces the historical trajectory of the photographic medium and juxtaposes it with contemporary AI-driven imagery to show how our sense of visual evidence, authenticity, and trust in images is being challenged. Ritchin does not dismiss the potential of these new modes of image-making; rather, he invites readers to consider how photography might adapt, evolve, or reclaim its ethical role in this new ecosystem.

English

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