The Politics of Art in Modern Egypt: Aesthetics, Ideology and Nation-Building/ Patrick Kane
Material type:
- 9781848856042
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
---|---|---|---|---|---|---|
![]() |
SAF Reference Library | Visual Arts | N5300-7418 111.75 (Browse shelf(Opens below)) | Available | 5588 |
Browsing SAF Reference Library shelves, Collection: Visual Arts Close shelf browser (Hides shelf browser)
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
![]() |
||
N5300-7418 99.264 ISLAMANIA- DE L'ALHAMBRA A LA BURQUA, HISTOIRE D'UNE FASCINATION ARTISTIQUE (GRANDS THEMES/SOCIETE)/ | N5300-7418 100.862 تاريخ الصناع والفنانين في العصر المملوكي/ | N5300-7418 105.645 Witness : Art and Civil Rights in the Sixties/ | N5300-7418 111.75 The Politics of Art in Modern Egypt: Aesthetics, Ideology and Nation-Building/ | N5300-7418 111.861 Arts of Southeast Asia/ | N5300-7418 113.457 You Are Here : Art After the Internet | N5300-7418 113.457 You Are Here : Art After the Internet |
Art and cultural production in Egypt during much of the last hundred years has operated against a backdrop of political crisis and confrontation. Patrick Kane focuses on the turbulent changes of the 1920s to 1960s, when polemical discourse and artistic practice developed against the entrenched and co-opted conservatism of elite and state culture. Radical forms of cultural criticism and dissonance emerged, and this legacy continues to resonate through contemporary activism and dissent. Kane charts the rise of key art movements, like the Egyptian Surrealists and the Contemporary Art Group, and explores their resistance to the Nahda paradigm of elite culture, as well as Nasser's state authoritarianism and nationalist agenda. Through the work of artists and critics like Abd al-Hadi al-Gazzar and Gamal al-Sagini, Kane provides rare insight into the Egyptian cultural and aesthetic experience, and how it has been shaped within a context of political and social conflict.
English
There are no comments on this title.