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Shanghai Modern 1919-1945/ Edited by Jo-Anne Birnie Danzker, Ken Lum, Zheng Shengtian

Material type: TextTextPublication details: Hatje Cantz Verlag; 2005Description: 424p; 30x24cmISBN:
  • 3775714979
Subject(s): Summary: Exhibition catalog. Collaborative project between the cities of Munich and Shanghai. Edited by Jo-Anne Birnie Danzker, Ken Lum and Zheng Shengtian. Essays by David Clarke, Xu Hong, Xu Jian, Zhang Qing, Kuiyi Shen, Michael Sullivan, Shui Tianzhong and Shelagh Vainker. In the 1920s and 30s, Shanghai was established as one of the world's major cities. A vital, prospering metropolis with a population of over one million, and the commercial and cultural center of China, it was one place where it was certain that Western influences would have a forceful impact. Consequently, artists from different disciplines took part in the lively debates on the issue of what direction Chinese art and culture should take and Shanghai Modern documents this vigorous cultural exchange between the country and Europe, especially Germany. Through essays by authors of international renown, this book sheds new light on the early years of China's Western gaze, while it presents a magnificent collection of works by early exponents of Chinese Modernism, many of which have never been shown before.
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Item type Current library Collection Call number Status Date due Barcode
Book Book SAF Reference Library Visual Arts N4390-5098 193.265 (Browse shelf(Opens below)) Available 5189

Exhibition catalog. Collaborative project between the cities of Munich and Shanghai. Edited by Jo-Anne Birnie Danzker, Ken Lum and Zheng Shengtian. Essays by David Clarke, Xu Hong, Xu Jian, Zhang Qing, Kuiyi Shen, Michael Sullivan, Shui Tianzhong and Shelagh Vainker. In the 1920s and 30s, Shanghai was established as one of the world's major cities. A vital, prospering metropolis with a population of over one million, and the commercial and cultural center of China, it was one place where it was certain that Western influences would have a forceful impact. Consequently, artists from different disciplines took part in the lively debates on the issue of what direction Chinese art and culture should take and Shanghai Modern documents this vigorous cultural exchange between the country and Europe, especially Germany. Through essays by authors of international renown, this book sheds new light on the early years of China's Western gaze, while it presents a magnificent collection of works by early exponents of Chinese Modernism, many of which have never been shown before.

English; German

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