Adrián Villar Rojas: The Roof Garden Commission: The Theater of Disappearance

Contributor(s):

Rojas, Adrian Villar

Material type: Text

TextPublication details: Metropolitan Museum of Art; 2017Description: 64p; 19x11cmISBN:

9781588396211

Subject(s):

N4390-5098 Visual Arts- Exhibitions

Summary: Known for his ephemeral, interconnected installations and monumental sculpture, Argentinian artist Adrián Villar Rojas (b. 1980) transformed The Met Roof into an immersive banquet scene for the 2017 Roof Garden Commission. This book retraces the artist’s process by illustrating his conversations and discoveries at The Met, which informed an installation that negotiates the museum as both a social space and a space for the display of art. Villar Rojas merges these institutional functions by framing art within the context of a party where viewers and artworks can directly interact. The publication, an integral part of Villar Rojas’s installation, covers themes as diverse as museology, history, and the activation of art—offering a meditation on how museums as artifacts represent and historicize art.

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Book	SAF Reference Library	Visual Arts	N4390-5098 185.572 (Browse shelf(Opens below))	Available		5130

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Previous	N4390-5098 183.472 Kedgeree/ کھچڑى	N4390-5098 185.536 Pietro Roccasalva: Truka	N4390-5098 185.571 Adrian Villar Rojas : the theatre of disappearance	N4390-5098 185.572 Adrián Villar Rojas: The Roof Garden Commission: The Theater of Disappearance	N4390-5098 185.586 In the Desert- Noguchi Rika	N4390-5098 185.651 Again for tomorrow/	N4390-5098 185.652 Friends of the divided mind/	Next

Known for his ephemeral, interconnected installations and monumental sculpture, Argentinian artist Adrián Villar Rojas (b. 1980) transformed The Met Roof into an immersive banquet scene for the 2017 Roof Garden Commission. This book retraces the artist’s process by illustrating his conversations and discoveries at The Met, which informed an installation that negotiates the museum as both a social space and a space for the display of art. Villar Rojas merges these institutional functions by framing art within the context of a party where viewers and artworks can directly interact. The publication, an integral part of Villar Rojas’s installation, covers themes as diverse as museology, history, and the activation of art—offering a meditation on how museums as artifacts represent and historicize art.

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