Unmade film- The Reconnaissance/ أوريال أورلوف: النهاية
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TextPublication details: Zurich; Edition Fink; 2014Description: 172p; 28x22cmSubject(s): Summary: Unmade Film was developed through long-term research and collaborative workshops with actors, musicians and teenagers in East Jerusalem and Ramallah; the resulting work combines sound, drawing, video, music and photography. Unmade Film is an impossible film, fragmented into its constituent parts; an expansive collection of audio-visual works that point to the structure of a film but never fully become one. An audio-visual project about the impossibility of a film on the Deir Yassin massacre, exploring the complex ramifications of the place (2 volumes artist's book). Uriel Orlow is known for his modular, multi-media installations that take specific locations and events as starting points and combine archival research with evocative visuals and sound. Orlow explores the spatial and pictorial conditions of history and memory, focusing on blind spots of representation and forms of haunting. Working across video, photography, drawing and sound Orlow brings different image-regimes and narrative modes into correspondence.
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SAF Reference Library | Visual Arts | N4390-5098 157.255 (Browse shelf(Opens below)) | Available | 5038 |
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| N4390-5098 157.194 Orientalism: Delacroix to Klee/ | N4390-5098 157.254 Unmade Film: Uriel Orlow/ أوريال أورلوف: فيلم غير منتج | N4390-5098 157.254 Unmade Film: Uriel Orlow/ أوريال أورلوف: فيلم غير منتج | N4390-5098 157.255 Unmade film- The Reconnaissance/ أوريال أورلوف: النهاية | N4390-5098 157.26 Ariel Orozco/ | N4390-5098 157.261 Gabriel Orozco: Twelve Paintings and a Drawing | N4390-5098 157.643 Damien Ortega: Nine Types of Terrain/ |
Unmade Film was developed through long-term research and collaborative workshops with actors, musicians and teenagers in East Jerusalem and Ramallah; the resulting work combines sound, drawing, video, music and photography. Unmade Film is an impossible film, fragmented into its constituent parts; an expansive collection of audio-visual works that point to the structure of a film but never fully become one. An audio-visual project about the impossibility of a film on the Deir Yassin massacre, exploring the complex ramifications of the place (2 volumes artist's book). Uriel Orlow is known for his modular, multi-media installations that take specific locations and events as starting points and combine archival research with evocative visuals and sound. Orlow explores the spatial and pictorial conditions of history and memory, focusing on blind spots of representation and forms of haunting. Working across video, photography, drawing and sound Orlow brings different image-regimes and narrative modes into correspondence.
English; Arabic; French
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