My Cocaine Museum/ Michael Taussig
Material type:
- 9780226790091
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
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SAF Reference Library | Visual Arts | N400-3990 35.11 (Browse shelf(Opens below)) | Available | 4928 | |
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SAF Reference Library | Visual Arts | N400-3990 35.11 (Browse shelf(Opens below)) | Available |
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N61-72 190.884 Material Witness: Media, Forensics, Evidence/ | N400-3990 13.985 Archives, Museums and Collecting Practices in the Modern Arab World/ | N400-3990 13.985 Archives, Museums and Collecting Practices in the Modern Arab World/ | N400-3990 35.11 My Cocaine Museum/ | N400-3990 35.11 My Cocaine Museum/ | N5300-7418 160.23 Choreomata: Performance and Performativity after AI/ | N5300-7418 160.23 Choreomata: Performance and Performativity after AI/ |
In this book, a make-believe cocaine museum becomes a vantage point from which to assess the lives of Afro-Colombian gold miners drawn into the dangerous world of cocaine production in the rain forest of Colombia's Pacific Coast. Although modeled on the famous Gold Museum in Colombia's central bank, the Banco de la República, Taussig's museum is also a parody aimed at the museum's failure to acknowledge the African slaves who mined the country's wealth for almost four hundred years. Combining natural history with political history in a filmic, montage style, Taussig deploys the show-and-tell modality of a museum to engage with the inner life of heat, rain, stone, and swamp, no less than with the life of gold and cocaine. This effort to find a poetry of words becoming things is brought to a head by the explosive qualities of those sublime fetishes of evil beauty, gold and cocaine. At its core, Taussig's museum is about the lure of forbidden things, charged substances that transgress moral codes, the distinctions we use to make sense of the world, and above all the conventional way we write stories.
English
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