Lahore Biennale 02- Lahore Biennale 02: Past Reminders, Possible Futures- Reader/ Guidebook/ Editors: Hoor Al Qasimi, Iftikhar Dadi

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Material type: Text

TextPublication details: Lahore Biennale Foundation; SKIRA Editore; 2024Description: 525p; 24x17cmISBN:

9788857253435

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Summary: The second Lahore Biennale, between the sun and the moon (26 January–29 February 2020), featured works by over 70 artists in 13 sites across the city that were built and used by three sovereigns—the Mughals, the British, and the postcolonial Pakistan state. In this constellation, three modes of governance and temporalities overlap and fold into one another. The curatorial statement points out the effects of colonial power in hardening 'differences across ethnic, religious, linguistic, and national affiliations' and states an aim to foreground 'new relations with Central Asian, West Asian, and African contexts.'

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Item type	Current library	Collection	Call number	Status	Date due	Barcode
Book	SAF Reference Library	Visual Arts	N4390-5098 23.393 (Browse shelf(Opens below))	Available		4679
Book	SAF Reference Library	Visual Arts	N4390-5098 23.393 (Browse shelf(Opens below))	Available

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Previous	N4390-5098 85.786 Houston Galeria/	N4390-5098 23.393 Lahore Biennale 02- Lahore Biennale 02: Past Reminders, Possible Futures- Reader/ Guidebook/	N4390-5098 7.035 APT 11- The 11th Asia Pacific Triennial of Contemporary Art	N4390-5098 23.393 Lahore Biennale 02- Lahore Biennale 02: Past Reminders, Possible Futures- Reader/ Guidebook/	N4390-5098 110.945 Mohammed Kazem : Raw Data ( 1999-2013) / محمد كاظم: مواد خام ( ١٩٩٩-٢٠١٣)	N4390-5098 112.837 The Art of Transforming/	N4390-5098 134.991 Naeem Mohaiemen: Prisoners of Shothik Itihash	Next

The second Lahore Biennale, between the sun and the moon (26 January–29 February 2020), featured works by over 70 artists in 13 sites across the city that were built and used by three sovereigns—the Mughals, the British, and the postcolonial Pakistan state. In this constellation, three modes of governance and temporalities overlap and fold into one another. The curatorial statement points out the effects of colonial power in hardening 'differences across ethnic, religious, linguistic, and national affiliations' and states an aim to foreground 'new relations with Central Asian, West Asian, and African contexts.'

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