Burning Images : A History of Effigy Protests / Florian Göttke
Material type:
- 9789492095961
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SAF Reference Library | Visual Arts | N5300-7418 29.564 (Browse shelf(Opens below)) | Available | 4219 | |
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SAF Reference Library | Visual Arts | N5300-7418 29.564 (Browse shelf(Opens below)) | Available | 4219-2 |
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N4390-5098 130.641 Cinthia Marcelle- Por via das duvidas- By Means of Doubt | N5300-7418 28.664 MAHKU- Movimento dos Artistas Huni Kan- Huni Kan Artists Movement | N5300-7418 29.564 Burning Images : A History of Effigy Protests | N5300-7418 29.564 Burning Images : A History of Effigy Protests | N81-390 65.366 Formgiving | N4390-5098 29.0515 Manora Field Notes- Pavilion of Pakistan Naiza Khan : 58th International Art Exhibition- La Biennale di Venezia 2019 | N4390-5098 29.0515 Manora Field Notes- Pavilion of Pakistan Naiza Khan : 58th International Art Exhibition- La Biennale di Venezia 2019 |
Investigates a specific, theatrical form of political protest: the destruction of effigies by hanging, burning, or otherwise About the making and analysis of image culture, global news gathering and high-speed distribution via press and social media channels
Effigy hanging and burning, a specific theatrical form of political protest, has become increasingly visible in the news media, particularly in protests against United States military operations in Afghanistan and Iraq, in US domestic politics, and in the Arab Spring. Taking these events as points of departure, Göttke investigates the conditions of this visual genre of protest, its roots and genealogies in a number of countries, its aesthetics and politics. Effigy protests communicate communal outrage over perceived injustice. Hanging and burning effigies is an archaic and ritualistic form of protest, yet it is effectively communicated through global news media and social media, mediated, and used trans-nationally. The book contains two interacting narratives: text (seven chapters) and a parallel montage of images. It delves deeply into the different practices, iconologies, rituals, protest and media strategies, as well as into politics and concludes with a reflection on how the effigy protests act as a symptom of fundamental conflicts at the limits of contemporary liberal democracy. With many images from the United States, Iraq, Egypt, Iran, Afghanistan, and many other areas.
English
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