ZNAK. Ukrainian Trademarks 1960—1980 / U,N,A Collective

Contributor(s):

Material type: Text

TextPublication details: ist publishing; 2019Description: 160p; 22x19cmISBN:

9786177948246

Subject(s):

Contents:

CONTENTS: --- Foreword by U,N,A Collective --- Kharkiv School of Trademark Graphics (1920s-1980s) by Olha Hladun --- Volodymyr Pobiedin --- USSR Chamber of Commerce and Industry, VNIITE, SADL, Sector of Scientific Research, advertising combines The development of trademarks by design organizations of the Soviet Ukraine by Liia Bezsonova ---Studying the world experience: westernization of Soviet logos (1960s-1980s) by Rokas Sutkaitis --- Potential of the form by U,N, Collective --- Biographical notes.

Summary: Znak. Ukrainian Trademarks 1960-1980s' is research by U, N, A collective (Uliana Bychenkova, Nika Kudinova, Aliona Solomadina) on the history of Ukrainian graphic design, in particular, on the area of corporate identity during the period of Thaw, Stagnation, and Perestroyka. Visual and textual narratives coexist in the book, as this type of material needs not only visual but also textual support. They address the given subject in the wider chronological order: from the 20th century avant-garde to the present. Most importantly, the publication focuses on the Kharkiv school of industrial graphics and the accomplishments of Volodymyr Pobiedin. The publication displays archive materials, identifies the names, describes the processes and highlights the influences in Ukrainian graphic design in the local and global contexts.

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Holdings
Item type	Current library	Collection	Call number	Status	Date due	Barcode
Book	SAF Reference Library	Visual Arts	N81-390 214.025 (Browse shelf(Opens below))	Available		4201

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U,N,A Collective is a design association which focuses on design research and curatorial practices in graphic design

Znak. Ukrainian Trademarks 1960-1980s' is research by U, N, A collective (Uliana Bychenkova, Nika Kudinova, Aliona Solomadina) on the history of Ukrainian graphic design, in particular, on the area of corporate identity during the period of Thaw, Stagnation, and Perestroyka. Visual and textual narratives coexist in the book, as this type of material needs not only visual but also textual support. They address the given subject in the wider chronological order: from the 20th century avant-garde to the present. Most importantly, the publication focuses on the Kharkiv school of industrial graphics and the accomplishments of Volodymyr Pobiedin. The publication displays archive materials, identifies the names, describes the processes and highlights the influences in Ukrainian graphic design in the local and global contexts.

Russian; Ukrainian; English

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