The Global Contemporary and the Rise of New Art Worlds / Edited by Hans Belting, Andrea Buddensieg and Peter Weibel
Material type:
- 9780262518345
- 709.04
- N72.G55 G53 2013
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
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SAF Reference Library | Visual Arts | N61-72 74.56 (Browse shelf(Opens below)) | Available | 3979 |
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N5300-7418 98.26 Under the Palm Trees : Modern Iraqi Art with Mohamed Makiya and Jewad Selim | N5300-7418 214.58 London's New Scene : Art and Culture in the 1960s | N5300-7418 30.755 Tropical aesthetics of black modernism | N61-72 74.56 The Global Contemporary and the Rise of New Art Worlds | N4390-5098 22.683 Exhibiting Outside the Academy, Salon and Biennial, 1775-1999 : Alternative Venues for Display | N4390-5098 22.683 Exhibiting Outside the Academy, Salon and Biennial, 1775-1999 : Alternative Venues for Display | N4390-5098 22.684 The Biennial Reader : An anthology on large-scale perennial exhibitions of contemporary art |
Mapping the new geography of the visual arts, from the explosion of biennials to the emerging art markets in Asia and the Middle East. The geography of the visual arts changed with the end of the Cold War. Contemporary art was no longer defined, exhibited, interpreted, and acquired according to a blueprint drawn up in New York, London, Paris, or Berlin. The art world distributed itself into art worlds. With the emergence of new art scenes in Asia and the Middle East and the explosion of biennials, the visual arts have become globalized as surely as the world economy has. This book offers a new map of contemporary art's new worlds. The Global Contemporary and the Rise of New Art Worlds documents the globalization of the visual arts and the rise of the contemporary over the last twenty years. Lavishly illustrated, with color throughout, it tracks developments ranging from exhibition histories and the rise of new art spaces to art's branding in such emerging markets as Hong Kong and the Gulf States. Essays treat such subjects as curating after the global turn; art and the migration of pictures; the end of the canon; and new strategies of representation.
English; Arabic
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