Made Routes: Mapping and Making / Artists: Vivienne Koorland; Berni Searle; Curated by: Tamar Garb
Material type:
TextPublication details: London Richard Saltoun Gallery 2019Description: 40p 28cm x 24cmSubject(s): Summary: Catalogue produced on the occasion of the exhibition ‘Made Routes: Mapping and Making,’ curated by acclaimed academic and art historian Tamar Garb, which brings together the work of two South African artists: Vivienne KOORLAND and Berni SEARLE. The encounter between them speaks to their shared artistic concerns and participation in the landmark exhibition ‘Trade Routes: History + Geography’ at the 1997 2nd Johannesburg Biennale under the artistic directorship of the late Okwui Enwezor (1963–2019) to whom this exhibition is dedicated. In ‘Trade Routes,’ Enwezor and his curatorial team explored the way in which contemporary art interrogates and negotiates national boundaries and cartographic hierarchies, as well as the global movement and flow of people and commodities across modernity's variegated landscapes.
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SAF Reference Library | Visual Arts | N4390-5098 115.377 (Browse shelf(Opens below)) | Available | ||
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SAF Reference Library | Visual Arts | N4390-5098 115.377 (Browse shelf(Opens below)) | Available | 3713 | |
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SAF Reference Library | Visual Arts | N4390-5098 115.377 (Browse shelf(Opens below)) | Available | ||
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SAF Reference Library | Visual Arts | N4390-5098 115.377 (Browse shelf(Opens below)) | Available |
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| N4390-5098 160.916 Past Disquiet : Artists, international solidarity and museums in exile | N4390-5098 115.377 Made Routes: Mapping and Making | N4390-5098 115.377 Made Routes: Mapping and Making | N4390-5098 115.377 Made Routes: Mapping and Making | N4390-5098 115.377 Made Routes: Mapping and Making | GB651-2998 195.225 Water Histories of South Asia : The Materiality of Liquescence | TR624-835 160.285 Imaging and Imagining Palestine : Photography, Modernity and the Biblical Lens, 1918-1948 |
Catalogue produced on the occasion of the exhibition ‘Made Routes: Mapping and Making,’ curated by acclaimed academic and art historian Tamar Garb, which brings together the work of two South African artists: Vivienne KOORLAND and Berni SEARLE. The encounter between them speaks to their shared artistic concerns and participation in the landmark exhibition ‘Trade Routes: History + Geography’ at the 1997 2nd Johannesburg Biennale under the artistic directorship of the late Okwui Enwezor (1963–2019) to whom this exhibition is dedicated. In ‘Trade Routes,’ Enwezor and his curatorial team explored the way in which contemporary art interrogates and negotiates national boundaries and cartographic hierarchies, as well as the global movement and flow of people and commodities across modernity's variegated landscapes.
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