Ghada Amer- Earth. Love. Fire/ غادة عامر- الأرض. الحب. النار / Texts: Shiva Balaghi and Adam Welch
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TextPublication details: Dubai; Leila Heller Gallery; 2015Description: 130p; 30x23cmSubject(s): Summary: Exhibition catalog. “Earth. Love. Fire,” marks the first solo exhibition of works by Ghada Amer in the Arab world in nearly two decades. Curated by Dr. Shiva Balaghi, the exhibit will introduce Amer’s newest artistic foray into ceramics, works made during a two year residency at Greenwich House Pottery in NYC. Explaining the show’s title, Amer says, “It’s a passionate title, because I feel passionate about my ceramics.” An extension of her exploration of the sculptural form, Amer’s ceramic pieces represent the ultimate rebellion against painting as a historically male dominated artistic genre. Working against the grain of gender norms of East and West, Amer broke free from expected artistic codes. She developed her own relationship to the canvas, painting with the thread and needle. With her new body of ceramic sculptures, Amer pushes further into her formal experimentation, now painting with clay.
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SAF Reference Library | Visual Arts | N4390-5098 4.591 (Browse shelf(Opens below)) | Available |
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| N4390-5098 210.238 Afaaq Al Mustaqbal- Cafeteria LLC | N4390-5098 210.238 Afaaq Al Mustaqbal- Cafeteria LLC | N5198-5299 168.811 A Guest without a Host is a Ghost : Collection in Residence | N4390-5098 4.591 Ghada Amer- Earth. Love. Fire/ غادة عامر- الأرض. الحب. النار | N4390-5098 4.651 Dark Mirror | N4390-5098 4.652 Carlos Amorales : Axioms For Action | N4390-5098 5 الخروج إلى الداخل- المعرض الشخصي الثاني |
Exhibition catalog. “Earth. Love. Fire,” marks the first solo exhibition of works by Ghada Amer in the Arab world in nearly two decades. Curated by Dr. Shiva Balaghi, the exhibit will introduce Amer’s newest artistic foray into ceramics, works made during a two year residency at Greenwich House Pottery in NYC. Explaining the show’s title, Amer says, “It’s a passionate title, because I feel passionate about my ceramics.” An extension of her exploration of the sculptural form, Amer’s ceramic pieces represent the ultimate rebellion against painting as a historically male dominated artistic genre. Working against the grain of gender norms of East and West, Amer broke free from expected artistic codes. She developed her own relationship to the canvas, painting with the thread and needle. With her new body of ceramic sculptures, Amer pushes further into her formal experimentation, now painting with clay.
English; Arabic
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