Urban Kitsch- Praneet Soi : Dissertation #2 from the (Fine) Arts Dissertations Series / Series Editors: Nihaal Faizal and Sarasija Subramanian
Material type:
- 9788195347230
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
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Flying Saucer Library | Published by Sharjah Art Foundation | N81-390 SAFPG2021-3 (Browse shelf(Opens below)) | Available | ||
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SAF Reference Library | Published by Sharjah Art Foundation | N81-390 SAFPG2021-3 (Browse shelf(Opens below)) | Available | 3312 |
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N4390-5098 SB15-1 Sharjah Biennial 15- Thinking Historically in the Present- Guide Book | N4390-5098 SB15-2 بينالي الشارقة 15: التاريخ حاضراً/ | N4390-5098 SAF2023-4 Entre circulos y constelaciones- Between Circles and Constellations | N81-390 SAFPG2021-3 Urban Kitsch- Praneet Soi : Dissertation #2 from the (Fine) Arts Dissertations Series | N81-390 SAFPG2021-4 Sculptor's Notebook- Pushpamala N : Dissertation #1 from the (Fine) Arts Dissertations Series | N8350-8356 SAF2022-2 Khalil Rabah : Falling Forward / Works (1995–2025) | TR845-899 SAFPG2020-2 Widen the Circle- An obscure experimentation in North African Avant-Garde Cinema |
SAF Publishing Grant 2021.
‘(Fine) Arts Dissertation Series’ looks at the dissertations submitted by artists as part of their master's study at the Faculty of Fine Arts, the Maharaja Sayajirao University of Baroda, and was produced as part of Sharjah Art Foundation’s annual Publishing Grant (2021).
Reliable Copy #9. “Urban Kitsch”, originally written in 1996, explores the forms of vernacular visual culture that emerged in the city of Baroda following the liberalization of the Indian economy. Plastic toys, celebrity mud flaps, and postmodern architecture collide into a new formal category—both celebrated and derided—as Praneet Soi traverses the city on his trusted Yamaha RX 100. Published for the first time by Reliable Copy and Sharjah Art Foundation, “Urban Kitsch” was written as part of Praneet Soi’s Master’s in Painting at the Faculty of Fine Arts, Maharaja Sayajirao University of Baroda. The complete facsimile of this dissertation is accompanied by a recent interview with the artist by Nihaal Faizal and Sarasija Subramanian.
English
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