Widen the Circle- An obscure experimentation in North African Avant-Garde Cinema / Ali Essafi
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TextPublication details: Sharjah Art Foundation; 2022Description: 84p; 20x13cmISBN: - 9781915656018
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Flying Saucer Library | Published by Sharjah Art Foundation | TR845-899 SAFPG2020-2 (Browse shelf(Opens below)) | Available | ||
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SAF Reference Library | Published by Sharjah Art Foundation | TR845-899 SAFPG2020-2 (Browse shelf(Opens below)) | Available |
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| N81-390 SAFPG2021-2 ART Margins- Volume 10 Issue 3 | N8350-8356 SAF2022-2 Khalil Rabah : Falling Forward / Works (1995–2025) | N4390-5098 SAFPG2020-1 Inji Efflatoun and the Mexican Muralists- Imaging Women and Work between Egypt and Mexico | TR845-899 SAFPG2020-2 Widen the Circle- An obscure experimentation in North African Avant-Garde Cinema | N7560-8266 SAFPG2020-3 Art Writings in Marathi (1930s-1960s) | TR845-899 SAFPG2021-1 حالة السينما: بيانات لسينمائين معاصرين / | N81-390 SAFPG2021-2 ART Margins- Volume 10 Issue 3 |
SAF Publishing Grant 2020.
Widen the Circle: An Obscure Experimentation in North African Avant-Garde Cinema by Morocco and Brazil-based filmmaker, artist and curator, Ali Essafi traces the colonial history present in North African cinema through three films: Mémoire 14 [Memory 14] (1971), directed by Ahmed Bouanani; Mohammadia (1973), directed by Ahmed Bennys; and Combien je vous aime [How much I love you] (1985), directed by Azzedine Meddour. The essay offers insight into why these works have remained largely overlooked by local and international audiences.
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