Naeem Mohaiemen: Prisoners of Shothik Itihash
Material type:
- 9783855620302
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
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SAF Reference Library | Visual Arts | N4390-5098 134.991 (Browse shelf(Opens below)) | Available | 2689 | |
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SAF Reference Library | Visual Arts | N4390-5098 134.991 (Browse shelf(Opens below)) | Available | ||
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SAF Reference Library | Visual Arts | N4390-5098 134.991 (Browse shelf(Opens below)) | Available |
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N4390-5098 94.513 Prayer | N5300-7418 17.153 Modern Arab Art: Formation of Arab Aesthetics/ | N4390-5098 134.991 Naeem Mohaiemen: Prisoners of Shothik Itihash | N4390-5098 134.991 Naeem Mohaiemen: Prisoners of Shothik Itihash | N4390-5098 7.25 Artissima 2012 Book | N4390-5098 8.85 Nancy Atakan : Passing On | N4390-5098 9.3 Vahap Avsar |
"This book was conceived on the occasion of the exhibition 'Prisoners of Shothik Itihash' by Naeem Mohaiemen, on view at Kunsthalle Basel from June to August 2014.
'Official history is written as a narration of the so-called major events that are self-evidently of historical relevance. Meanwhile, minor histories, including events not considered relevant, or erased from official accounts, are marginalised.
Naeem mohaiemen's films, photography, mixed media objects, and essays are based on the commingling of these major and minor histories in relation to the nation state of Bangladesh, seen within the subcontinental triangle of nations, and the particular histories of multiple partitions. The title of the exhibition at Kunsthalle Basel and this accompanying publication—Prisioners of Shothik Itihash (which literally translates into ""the prisioners of correct history"") is referring to the problematic of histories reflected in the constant alterations made to history books as governments, academics, and institutions keep changing.
This publication brings together essays and images by Naeem Mohaiemen, along with text excerpts from other ""doomed"" protagonists' - excerpts from Introduction by Fabian Schoneich.
English
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