Annotations 3: Frequencies: investigations into culture, history and technology/ Melanie Keen
Publication details: London; Iniva (Institute of International Visual Arts); 1998Description: 88p; 22x16cmISBN:- *01899846166
- 700.105
Item type | Current library | Collection | Call number | Status | Date due | Barcode |
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SAF Reference Library BC12SH5 | N61-72 | N61-72 122.7.FP (Browse shelf(Opens below)) | Available | 387 |
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N61-72 120.869 Facing Value: radical perspectives from the arts/ | N61-72 122.09 Enfoldment and Infinity: An Islamic genealogy of New Media Art/ | N61-72 122.654 مؤثرات مصرية على الفنون الغربية/ | N61-72 122.7.FP Annotations 3: Frequencies: investigations into culture, history and technology/ | N61-72 122.701 c1 Annotating Art's Histories: exiles, diasporas & strangers/ | N61-72 122.702 Annotating Art's Histories: Pop Art and Vernacular cultures/ | N61-72 122.703 Annotating Art's Histories: Discrepant Abstraction/ |
Chapter headings
--Art of Change: Technology and Transformation - Lola YOUNG
Translating Technologies
--Economics, Post-Colonialism and New Technologies - Françoise VERGÈS
--Forsaken Geographies - Cyberspace and the New World 'Other' - Olu OGUIBE
--Identity in the Video of Takahiko Iimura - Takahiko IIMURA, 飯村隆彥
Object Lessons
--Dialogues with Objects: The Quality of the Relationship With New Information Tools - Marco SUSANI
--Hertzian Tales and Other Proposals - Anthony DUNNE, Fiona RABY
--Reflections on Humanity - Theodore ZELDIN
Band Widths
--Dream Screens: A Project For the World Wide Web - Susan HILLER
--Transitory Tyrants - Denise ROBINSON
--Headnurse - Anne-mie Van Kerchkhoven
--The Artist in the Face of Social Collapse - Gustav METZGER
Published following the seminar series Frequencies: Investigations into Culture, History and Technology held at the School of Oriental and African Studies (SOAS), University of London between November 1996 and March 1997.
'Frequencies: Investigations into Culture, History and Technology is the third book in the inIVA Annotations series. In this collection of texts delivered at three one-day seminars of the same title, chaired by Professor Lola Young, artists, designers and critics explore how technology, in all its manifestations, is transforming our lives at the end of the twentieth century. These critical debates analyse the economic, political and global forces that continually inform art practice in both Western and non-Western contexts. Contributors include Dunne + Raby, Susan Hiller, Takahiko Iimura, Anne-mie Van Kerckhoven, Gustav Metzger, Olu Oguibe, Denise Robinson, Marco Susani, Francoise Verges and Theodore Zeldin.'
English
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