MARC details
| 000 -LEADER |
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| fixed length control field |
01857nam a2200229Ia 4500 |
| 001 - CONTROL NUMBER |
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| control field |
5590 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20250528160028.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
250528s9999 xx 000 0 und d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780956957177 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
-- |
| 245 #0 - TITLE STATEMENT |
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| Title |
You Are Here |
| Remainder of title |
: Art After the Internet |
| Statement of responsibility, etc. |
/ Edited by Omar Kholeif, with assistance from Stephanie Bailey |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Manchester; London; |
| Name of publisher, distributor, etc. |
Home; Space; |
| Date of publication, distribution, etc. |
2018 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
272p; |
| Dimensions |
23x17cm |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
Edited with text by Omar Kholeif. Foreword by Ed Halter. Texts by Sam Ashby, Basel Abbas, Ruanne Abu Rahme, Brad Troemel, James Bridle, Gne McHugh, Brian Droitcour, Michael Connor, Erika Balsom, Omar Kholeif, Zach Bas, Lucia Pietroiusti, Jennifer Chan, Sophia Al Maria, Stephanie Bailey, Jesse Darling, Constant Dullaart, Basak Senova. Projects: Tyler Coburn, Jamie Shovlin, Jeremy Bailey, Jon Rafman, Model Court, Basel Abbas & Ruanne Abou-Rahme, James Richards. You Are Here: Art After the Internet is the first major publication to critically explore both the effects and affects that the internet has had on contemporary artistic practices. Responding to an era that has increasingly chosen to dub itself as “post-internet,” this collective text explores the relationship of the internet to art practices from the early millennium to the present day. The book positions itself as a provocation on the current state of cultural production, relying on first-person accounts from artists, writers and curators as the primary source material. The book raises urgent questions about how we negotiate the formal, aesthetic and conceptual relationship of art and its effects after the ubiquitous rise of the internet. |
| 546 ## - LANGUAGE NOTE |
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| Language note |
English |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
Digital Age |
| 9 (RLIN) |
6875 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Internet Age |
| 9 (RLIN) |
6874 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
N5300-7418 Visual Arts- History |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
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| Personal name |
Kholeif, Omar |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Book |
| Source of classification or shelving scheme |
Library of Congress Classification |