MARC details
000 -LEADER |
fixed length control field |
02911nam a2200265Ia 4500 |
001 - CONTROL NUMBER |
control field |
5572 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OSt |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20250528155135.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
250528s9999 xx 000 0 und d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2018045761 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780821423479 |
040 ## - CATALOGING SOURCE |
Transcribing agency |
-- |
050 ## - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
N7386.G56 2019 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
709.630904 |
100 ## - MAIN ENTRY--PERSONAL NAME |
Personal name |
Giorgis, Elizabeth W. |
9 (RLIN) |
7253 |
245 #0 - TITLE STATEMENT |
Title |
Modernist Art in Ethiopia/ |
Statement of responsibility, etc. |
Elizabeth W. Giorgis |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Athens; Ohio; |
Name of publisher, distributor, etc. |
Ohio University Press; |
Date of publication, distribution, etc. |
2019 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
340p; |
Dimensions |
25x18cm |
505 ## - FORMATTED CONTENTS NOTE |
Formatted contents note |
In Modernist Art in Ethiopia—the first book-length study of the topic—Elizabeth W. Giorgis recognizes that her home country’s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context. Giorgis explores the varied precedents of the country’s political and intellectual history to understand the ways in which the import and range of visual narratives were mediated across different moments, and to reveal the conditions that account for the extraordinary dynamism of the visual arts in Ethiopia. In locating its arguments at the intersection of visual culture and literary and performance studies, Modernist Art in Ethiopia details how innovations in visual art intersected with shifts in philosophical and ideological narratives of modernity. The result is profoundly innovative work—a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
In Modernist Art in Ethiopia—the first book-length study of the topic—Elizabeth W. Giorgis recognizes that her home country’s supposed singularity, particularly as it pertains to its history from 1900 to the present, cannot be conceived outside the broader colonial legacy. She uses the evolution of modernist art in Ethiopia to open up the intellectual, cultural, and political histories of it in a pan-African context. Giorgis explores the varied precedents of the country’s political and intellectual history to understand the ways in which the import and range of visual narratives were mediated across different moments, and to reveal the conditions that account for the extraordinary dynamism of the visual arts in Ethiopia. In locating its arguments at the intersection of visual culture and literary and performance studies, Modernist Art in Ethiopia details how innovations in visual art intersected with shifts in philosophical and ideological narratives of modernity. The result is profoundly innovative work—a bold intellectual, cultural, and political history of Ethiopia, with art as its centerpiece. |
546 ## - LANGUAGE NOTE |
Language note |
English |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
N5300-7418 Visual Arts- History |
651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
Ethiopia |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
Source of classification or shelving scheme |
Library of Congress Classification |