Sharjah Art Foundation Library

The books that shaped art history: (Record no. 5547)

MARC details
000 -LEADER
fixed length control field 02351nam a2200193Ia 4500
001 - CONTROL NUMBER
control field 5547
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250528144937.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250528s9999 xx 000 0 und d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780500293027
040 ## - CATALOGING SOURCE
Transcribing agency --
245 #4 - TITLE STATEMENT
Title The books that shaped art history:
Remainder of title From Gombrich and Greenberg to Alpers and Krauss/
Statement of responsibility, etc. Edited by Richard Shone and John-Paul Stonard
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Place of publication, distribution, etc. London;
Name of publisher, distributor, etc. Thames & London;
Date of publication, distribution, etc. 2017
300 ## - PHYSICAL DESCRIPTION
Extent 268p;
Dimensions 23x15cm
520 ## - SUMMARY, ETC.
Summary, etc. The Books That Shaped Art History provides an invaluable roadmap of the field by reassessing the impact of the most important texts of art history published during the 20th century. Each of the sixteen incisive chapters, focusing on a single book, is written by a leading art historian, curator or one of the promising scholars of today. In bringing these cross-generational contributions together, the book presents a varied and invaluable overview of the history of art, told through its most enduring literature. Each essay with writers including John Elderfield, Boris Groys, Susie Nash and Richard Verdi analyses a single major work, mapping the intellectual development of its author, setting out the premises and argument of the book, discussing its position within the field of art history, and looking at its significance in the context both of its initial reception and its legacy. Enlivening debates and questioning the very status of art history itself, this is a concise and brilliant study of the discipline and an invaluable resource for anyone interested in visual culture and its histories.Table of ContentsPreface Introduction mile Mle, Lart religieux du XIIIe sicle en France, 1898 by Alexandra Gajewski Bernard Berenson, The Drawings of the Florentine Painters, 1903 by Carmen C. Bambach Heinrich Wlfflin, Kunstgeschichtliche Grundbegriffe, 1915 by David Summers Roger Fry, A Study of His Development, 1927 by Richard Verdi Nikolaus Pevsner, Pioneers of the Modern Movement, 1936 by Colin Amery Alfred H. Barr, Jr., His Art and His Public, 1951 by John Elderfield Erwin Panofsky, Early Netherlandish Its Origins and Character, 1953 by Susie Nash Kenneth Clark, The A Study of Ideal Art, 1956 by John-Paul Stonard E. H. Gombrich, Art and Illusion, 1960 by Christopher S
546 ## - LANGUAGE NOTE
Language note English
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element N5300-7418 Visual Arts- History
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Book
Source of classification or shelving scheme Library of Congress Classification
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection Home library Current library Date acquired Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     Visual Arts SAF Reference Library SAF Reference Library 05/28/2025   N5300-7418 9.925 5547 05/28/2025 05/28/2025 Book

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