Partners: Ydessa Hendeles (Record no. 4669)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01733nam a2200241Ia 4500 |
| 001 - CONTROL NUMBER | |
| control field | 4669 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241217152128.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 241217s9999 xx 000 0 und d |
| 010 ## - LIBRARY OF CONGRESS CONTROL NUMBER | |
| LC control number | 2006455881 |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 3883757551 |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | -- |
| 050 ## - LIBRARY OF CONGRESS CALL NUMBER | |
| Classification number | N6488.5.H453 P37 2003 |
| 245 #0 - TITLE STATEMENT | |
| Title | Partners: Ydessa Hendeles |
| Statement of responsibility, etc. | Edited by Chris Dercon and Thomas Weski |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Munich; |
| Name of publisher, distributor, etc. | Haus der Kunst; |
| Date of publication, distribution, etc. | 2003 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 240p; |
| Dimensions | 31x24cm |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Exhibition catalog. Nov 2003- Feb 2004. Essays by Carol Squiers and Ernst van Alphen. Introduction by Ydessa Hendeles. Foreword and editing by Chris Dercon and Thomas Weski. One of the most powerful people in the art world--and the only Canadian on that list--Ydessa Hendeles is renowned not only as one of the foremost supporters of contemporary art but also as a brilliant curator and collector. The collection she has assembled under the auspices of the Ydessa Hendeles Art Foundation is one of the most original, prescient, and highly regarded contemporary art collections in the world--if one of the lesser known. Large parts of it are being shown for the first time in Haus der Kunst in Munich, assembled and arranged by Hendeles; this book has been conceptualized by her in conjunction with the exhibition. In typical Hendeles fashion, Partners combines artworks, press photos, anonymous snapshots, and everyday articles. Maurizio Cattelan's “HIm,” a depiction of Hitler on his knees, plays a key role, as does a large installation of thousands of historical snapshots of teddy bears. |
| 546 ## - LANGUAGE NOTE | |
| Language note | English; German |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | N4390-5098 Visual Arts. Exhibitions |
| 651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME | |
| Geographic name | Canada |
| 9 (RLIN) | 3465 |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Hendeles, Ydessa |
| 9 (RLIN) | 6484 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Book |
| Source of classification or shelving scheme | Library of Congress Classification |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection | Home library | Current library | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Library of Congress Classification | Visual Arts | SAF Reference Library | SAF Reference Library | 12/17/2024 | N4390-5098 82.432 | 4669 | 12/17/2024 | 12/17/2024 | Book |