MARC details
| 000 -LEADER |
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| fixed length control field |
01960nam a2200277Ia 4500 |
| 001 - CONTROL NUMBER |
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| control field |
4516 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20240925145021.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
240925s9999 xx 000 0 und d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9788585298869 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
-- |
| 082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
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| Classification number |
709.8161 |
| 245 #0 - TITLE STATEMENT |
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| Title |
Choreographies of the impossible- 35th bienal de sao paulo |
| Statement of responsibility, etc. |
/ Curators/Editors: Diane Lima, Grada Kilomba, Helio Menezes, Manuel Borja-Villel |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Name of publisher, distributor, etc. |
Fundacao Bienal de Sao Paulo; |
| Date of publication, distribution, etc. |
2023 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
353p; |
| Dimensions |
28x21cm |
| 500 ## - GENERAL NOTE |
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| General note |
The second oldest biennial in the world and the largest contemporary art event in the Southern Hemisphere and the Americas. The exhibition presents approximately 1,100 artworks of different mediums, spread over the 30,000 square meters of the Ciccillo Matarazzo Pavilion in Ibirapuera Park. |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
After extensive research into the urgencies of our times, the curators affirm: “Our aim was to create an edition without categories or limiting structures. This vision was born from within our curatorial team, where we embraced a decentralized system, moving away from traditional norms. We made a conscious choice not to have a chief curator, thereby dissolving hierarchical structures. Our roster covers a broad spectrum of artistic forms and voices from all over the world. So, the question that remains is: how are the impossibilities of our daily lives reflected in artistic production? The choreographies of the impossible help us to understand that all of us find strategies every day that challenge the impossible, and it is these strategies and tools for making the impossible possible that we will find in the artists’ works.” |
| 546 ## - LANGUAGE NOTE |
|---|
| Language note |
Portugese; English |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
N4390-5098 Visual Arts- Exhibitions |
| 9 (RLIN) |
5082 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Biennial catalog. |
| 9 (RLIN) |
5083 |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Borja-Villel, Manuel |
| 9 (RLIN) |
5084 |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Kilomba, Grada |
| 9 (RLIN) |
5085 |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Lima, Diane |
| 9 (RLIN) |
5086 |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Menezes, Helio |
| 9 (RLIN) |
5087 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Book |
| Source of classification or shelving scheme |
Library of Congress Classification |