BE-side(s) work (Record no. 4509)
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000 -LEADER | |
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fixed length control field | 02048nam a2200217Ia 4500 |
001 - CONTROL NUMBER | |
control field | 4509 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | OSt |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20240925154015.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 240916s9999 xx 000 0 und d |
040 ## - CATALOGING SOURCE | |
Transcribing agency | -- |
245 #0 - TITLE STATEMENT | |
Title | BE-side(s) work |
Statement of responsibility, etc. | / Em'kal Eyongakpa, Amal Alhaag |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Name of publisher, distributor, etc. | Rijksakademie van Beeldende Kunsten, Netherlands; Boîte, KHaL!SHRINE; |
Date of publication, distribution, etc. | 2014 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | Quad-spiral bound with wire. 80p; |
Dimensions | 26x34cm |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Spiral-bound with wire on all four sides, with sections of the book attached to one spiral or another, never two spirals. From the Kadist Gallery website: Published in November 2014, The publication Be-side(s) works is an archive within an artwork. A world which covers parameters of coded-languages, rituals and mundane routines–unified in a world that is (un)known to our imaginations. The artist Em’kal Eyongakpa and curator Amal Alhaag invite the audience to experience three different world propositions offered within the domain of the publication Be-side(s) work. The evening interweaves themes of “referential politics”, creolization, ambiguous love, and imaginative ways of archiving art practices /thoughts in the digital age. But also explores how realities and multitudes of narratives offered within the artist publication challenge the notion of a single reading of art practices in an African or globalized context. How can sound generate and negotiate storytelling? In what ways can we rethink the archive to include other thought systems? Sticker on rear cover states an edition of 99 numbered copies of first edition, with another 33 extended editions of the books which are signed and have a code for an audio download. This copy shares none of these attributes, but these attributes may be part of the artwork itself, and not truthful i the way many people might percieve these statements. |
546 ## - LANGUAGE NOTE | |
Language note | English |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | N4390-5098 Exhibitions |
9 (RLIN) | 5231 |
651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME | |
Geographic name | African artists. |
9 (RLIN) | 5043 |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Alhaag, Amal |
9 (RLIN) | 5044 |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Eyongakpa, Em'kal |
9 (RLIN) | 5045 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Book |
Source of classification or shelving scheme | Library of Congress Classification |
Withdrawn status | Lost status | Damaged status | Not for loan | Collection | Home library | Current library | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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Visual Arts | SAF Reference Library | SAF Reference Library | 09/16/2024 | N4390-5098 59.878 | 4509 | 09/16/2024 | 09/16/2024 | Book |