MARC details
| 000 -LEADER |
|---|
| fixed length control field |
01908nam a2200253Ia 4500 |
| 001 - CONTROL NUMBER |
|---|
| control field |
4138 |
| 003 - CONTROL NUMBER IDENTIFIER |
|---|
| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
|---|
| control field |
20250122105854.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
|---|
| fixed length control field |
240514s9999 xx 000 0 und d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
|---|
| International Standard Book Number |
9788080592059 |
| 040 ## - CATALOGING SOURCE |
|---|
| Transcribing agency |
-- |
| 245 #0 - TITLE STATEMENT |
|---|
| Title |
Jana Zelibska- Swan Song Now- Pavilion of the Czech and Slovak Republics |
| Remainder of title |
: 57th International Art Exhibition- La Biennale di Venezia 2017 |
| Statement of responsibility, etc. |
/ Curator & Editor: Lucia Gregorova Stach |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Bratislava; |
| Name of publisher, distributor, etc. |
Slovak National Gallery; |
| Date of publication, distribution, etc. |
2017 |
| 300 ## - PHYSICAL DESCRIPTION |
|---|
| Extent |
144p; |
| Dimensions |
24x17cm |
| 490 ## - SERIES STATEMENT |
|---|
| Series statement |
La Biennale di Venezia |
| Volume/sequential designation |
#57 |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
Swan Song Now The objects, installations and videos of Jana Želibská often employ antithesis and paradox. Their notably gender-based symbolism gradually crystallized in the central meta-theme of time, particularly subjective human time measuring out life and arranging all desires, dreams and experiences into the vestiges of memory. They are contemplations of unstoppable time, of the impermanence of all things. Yet typically there is no lack of remove, even of ironic distance, absurdity and wit. There is also a trace of chronophobia in her works as a typical meta-subject of the art of 1960s, with an updated reference to a new kind of anxiety about time in our era (Time Flies... Save Time, 2016). For the pavilion, Želibská has created an installation dominated by a monumental projection of the sea, filmed in Venice. An array of luminous swans rests on islets, representing the implacable human yearning for constancy in a world driven by unremitting change, bringing in its wake unavoidable losses as we traverse the breach between past and present. |
| 546 ## - LANGUAGE NOTE |
|---|
| Language note |
English |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
N4390-5098 Visual Arts- Exhibitions |
| 9 (RLIN) |
2 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
|---|
| Topical term or geographic name entry element |
Pavilion catalog |
| 9 (RLIN) |
3871 |
| 651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
|---|
| Geographic name |
Czech and Slovak Republics |
| 9 (RLIN) |
3872 |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Stach, Lucia Gregorova |
| 9 (RLIN) |
3873 |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Topinka, Miloslav |
| 9 (RLIN) |
3874 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
|---|
| Koha item type |
Book |
| Source of classification or shelving scheme |
Library of Congress Classification |