Sharjah Art Foundation Library

Tie a String Around the World- Philippine Pavilion: (Record no. 4088)

MARC details
000 -LEADER
fixed length control field 02364nam a2200301Ia 4500
001 - CONTROL NUMBER
control field 4088
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250224120350.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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040 ## - CATALOGING SOURCE
Transcribing agency --
245 #0 - TITLE STATEMENT
Title Tie a String Around the World- Philippine Pavilion:
Remainder of title : 56th International Art Exhibition- La Biennale di Venezia 2015
Statement of responsibility, etc. / Editor: Patrick D. Flores
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. National Commission for Culture and the Arts;
Date of publication, distribution, etc. 2015
300 ## - PHYSICAL DESCRIPTION
Extent 112p;
Dimensions 25x20cm
490 ## - SERIES STATEMENT
Series statement La Biennale di Venezia
Volume/sequential designation #56
520 ## - SUMMARY, ETC.
Summary, etc. Titled Tie A String Around the World, the curatorial proposal by Patrick Flores was chosen as the exhibition for the Philippine Pavilion, at the 56th Venice Art Biennale in 2015. It marked the return of the Philippines as a participating country in the Venice Biennale after its first participation in 1964. The exhibition developed around the works of 4 artists: The film entitled Genghis Khan (1950) by Manuel Conde and Carlos Francisco Jose Tence Ruiz’s art work Shoal Manny Montelibano’s multi-channel piece A Dashed State. The Philippines is back with the theme “Tie A String Around the World” to the 56th Venice Biennale in 2015, after a 50-year hiatus. “Tie A String Around the World” revolves around the concept of the Philippines as a tropical heterotopia, a real space of crises where utopia – the myth of civilization and the project of progress – is simultaneously represented, negotiated and/or subverted. Emerging from the desire to explore, problematise, and understand the political, economic, social, cultural, and environmental contexts of the late 20th century up to the 21st century that engendered both the development and devastation of the nation and the gathering and dispersal of its peoples through contemporary visual practice, the Philippine Pavilion in Venice signifies not necessarily suspension and fragmentation, but a dialectical dynamism.
546 ## - LANGUAGE NOTE
Language note English
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element N4390-5098 Visual Arts- Exhibitions
9 (RLIN) 2
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Pavilion catalog
9 (RLIN) 3563
651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Geographic name Philippines
9 (RLIN) 3564
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name de Leon Jr., Felipe M.
9 (RLIN) 3565
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name del Rosario, Albert F.
9 (RLIN) 3566
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Flores, Patrick D.
9 (RLIN) 3567
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Garcia, Leovino Ma.
9 (RLIN) 3568
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Legarda, Loren
9 (RLIN) 3569
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Paz, Victor
9 (RLIN) 3570
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Sotto, Agustin V.
9 (RLIN) 3571
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Book
Source of classification or shelving scheme Library of Congress Classification
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection Home library Current library Date acquired Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     Visual Arts SAF Reference Library SAF Reference Library 05/01/2024   N4390-5098 29.0361 4088 05/01/2024 05/01/2024 Book

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