Sharjah Art Foundation Library

The Politics of Art (Record no. 4037)

MARC details
000 -LEADER
fixed length control field 02119nam a2200229Ia 4500
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240304s9999 xx 000 0 und d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2020044892
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781503627758
050 ## - LIBRARY OF CONGRESS CALL NUMBER
Classification number N72.P6T68 2021
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER
Classification number 700.956--
Item number dc23
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Toukan, Hanan
9 (RLIN) 3305
245 #4 - TITLE STATEMENT
Title The Politics of Art
Remainder of title : Dissent and Cultural Diplomacy in Lebanon, Palestine, and Jordan
Statement of responsibility, etc. / Hanan Toukan
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Stanford University Press;
Date of publication, distribution, etc. 2021
300 ## - PHYSICAL DESCRIPTION
Extent 318p;
Dimensions 23x15cm
490 ## - SERIES STATEMENT
Series statement Stanford Studies in Middle Eastern and Islamic Societies and Cultures
520 ## - SUMMARY, ETC.
Summary, etc. Over the last three decades, a new generation of conceptual artists has come to the fore in the Arab Middle East. As wars, peace treaties, sanctions, and large-scale economic developments have reshaped the region, this cohort of cultural producers has also found themselves at the center of intergenerational debates on the role of art in society. Central to these cultural debates is a steady stream of support from North American and European funding organizations—resources that only increased with the start of the Arab uprisings in the early 2010s. The Politics of Art offers an unprecedented look into the entanglement of art and international politics in Beirut, Ramallah, and Amman to understand the aesthetics of material production within liberal economies. Hanan Toukan outlines the political and social functions of transnationally connected and internationally funded arts organizations and initiatives, and reveals how the production of art within global frameworks can contribute to hegemonic structures even as it is critiquing them—or how it can be counterhegemonic even when it first appears not to be. In so doing, Toukan proposes not only a new way of reading contemporary art practices as they situate themselves globally, but also a new way of reading the domestic politics of the region from the vantage point of art.
546 ## - LANGUAGE NOTE
Language note English
648 ## - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM
Chronological term 21st century
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element HN50-995 Social history and conditions. Social problems. Social reform- By region or country
651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Geographic name Levant
9 (RLIN) 3306
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Book
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection Home library Current library Date acquired Source of acquisition Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     Social Sciences SAF Reference Library SAF Reference Library 02/26/2024 Publications- Purchase request- MM2024 Reading Room   HN50-995 121.336 4037 03/05/2024 03/05/2024 Book
          Social Sciences SAF Reference Library SAF Reference Library 02/26/2024 Publications- Purchase request- MM2024 Reading Room   HN50-995 121.336   03/05/2024 03/05/2024 Book

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