MARC details
000 -LEADER |
fixed length control field |
02124nam a2200301Ia 4500 |
001 - CONTROL NUMBER |
control field |
4024 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OSt |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20241127124712.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
240304s9999 xx 000 0 und d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
20190197102 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781927886229 |
040 ## - CATALOGING SOURCE |
Transcribing agency |
-- |
050 ## - LIBRARY OF CONGRESS CALL NUMBER |
Classification number |
GN35.B43 2020 |
082 ## - DEWEY DECIMAL CLASSIFICATION NUMBER |
Classification number |
305.80074-- |
Item number |
dc23 |
245 #0 - TITLE STATEMENT |
Title |
Becoming Our Future: |
Remainder of title |
Global Indigenous Curatorial Practice/ |
Statement of responsibility, etc. |
Edited by Julie Nagam; Carly Lane; Megan Tamati-Quennell |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Place of publication, distribution, etc. |
Winnipeg, Manitoba; |
Name of publisher, distributor, etc. |
ARP Books; |
Date of publication, distribution, etc. |
2020 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
240p; |
Dimensions |
25x25cm |
520 ## - SUMMARY, ETC. |
Summary, etc. |
This book investigates international Indigenous methodologies in curatorial practice from the geographic spaces of Canada, Aotearoa (New Zealand) and Australia. From a perspective of Indigenous peoples important place within society, this collection explores how Indigenous art and culture operate within and from a structural framework that is unique and is positioned outside of the non-Indigenous cultural milieu. Through a selection of contributions, Becoming Our Future articulates this perspective, defines Indigenous curatorial practice and celebrates Indigenous sovereignty within the three countries. It begins to explore the connections and historical moments that draw Indigenous curatorial practices together and the differences that set them apart. This knowledge is grounded in continuous international exchanges and draws on the breadth of work within the field. With contributions from Nigel Borell, Freja Carmichael, Karl Chitham, Nici Cumpston, Léuli Eshra ̄ghi, Reuben Friend, Jarita Greyeyes, Ioana Gordon-Smith, Dr. Heather Igloliorte, Jaimie Isaac, Carly Lane, Cathy Mattes, Kimberley Moulton, Lisa Myers, Dr. Julie Nagam, Dr. Jolene Rickard, Megan Tamati-Quennell, Josh Tengan and Daina Warren. |
546 ## - LANGUAGE NOTE |
Language note |
English |
648 ## - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM |
Chronological term |
21st century |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Indigenous artists. |
9 (RLIN) |
3247 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
N8350-8356 Art as a Profession. Artists |
651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
Geographic name |
Canada, Aotearoa (New Zealand) and Australia |
9 (RLIN) |
3248 |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Lane, Carly |
9 (RLIN) |
3249 |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Nagam, Julie |
9 (RLIN) |
3250 |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Tamati-Quennell, Megan |
9 (RLIN) |
3251 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
Source of classification or shelving scheme |
Library of Congress Classification |