MARC details
| 000 -LEADER |
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| fixed length control field |
02502nam a2200253Ia 4500 |
| 001 - CONTROL NUMBER |
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| control field |
4021 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20241127123011.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
240304s9999 xx 000 0 und d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9780367609153 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
-- |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
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| Personal name |
Tormey, Jane |
| 9 (RLIN) |
3235 |
| 245 #0 - TITLE STATEMENT |
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| Title |
Photography and political aesthetics |
| Statement of responsibility, etc. |
/ Jane Tormey |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
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| Place of publication, distribution, etc. |
Oxon; NY; |
| Name of publisher, distributor, etc. |
Routledge- Taylor & Francis Group; |
| Date of publication, distribution, etc. |
2024; |
| 300 ## - PHYSICAL DESCRIPTION |
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| Extent |
228p; |
| Dimensions |
23x15cm |
| 505 ## - FORMATTED CONTENTS NOTE |
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| Formatted contents note |
CONTENTS: Introduction Part I 1. Power Relations 2. Representation, Aesthetics, and Documentary 3. Instrumental Purpose and Disruption Part II 4. Image, Knowledge, and Argument 5. Immersive Worlds 6. Citizen Relations 7. Histories, Archives, and Fictions 8. Political Aesthetics |
| 520 ## - SUMMARY, ETC. |
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| Summary, etc. |
This accessible book explores the creative uses of photography with political purpose, both in terms of subject matter and of the political perspectives that have driven attitudes to viewing photographs. The shorter Part I reviews twentieth-century thinking that has influenced attitudes to photography and the political. Part II identifies the political ideas that drive practical strategies in the twenty-first century. It considers the politics of photography by looking at what affects people’s lives and agency: attitudes to difference and identity; power relations between institutions, individuals, and communities; the impact of trauma and global change. With a focus on the exchange of ideas between visual practice and theories, a selection of projects are examined from a range of perspectives, such as post-colonial and feminist thinking, post-humanism, and cultural and social theory, with references ranging from Michel Foucault and Judith Butler to Achille Mbembe, Bruno Latour, and Chantal Mouffe. The pursuit of ‘political aesthetics’ borrows from Jacques Rancière’s ideas about cultural production. Photography and Political Aesthetics identifies photography as politically productive when positioned within political movements, and champions practices that perform, investigate, or give attention to presentation and public dissemination. This book is ideally suited to students studying photography, art and aesthetics, visual politics, and cultural studies, and researchers across the fields of photography, media, art, and politics. |
| 546 ## - LANGUAGE NOTE |
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| Language note |
Engliah |
| 648 ## - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM |
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| Chronological term |
21st century |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
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| Topical term or geographic name entry element |
TR624-835- Applied Photography- Artistic |
| 9 (RLIN) |
3236 |
| 651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME |
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| Geographic name |
Global |
| 9 (RLIN) |
3237 |
| 700 ## - ADDED ENTRY--PERSONAL NAME |
|---|
| Personal name |
Tormey, Jane |
| 9 (RLIN) |
3235 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Book |
| Source of classification or shelving scheme |
Library of Congress Classification |