Islamic Vases Revisited (Record no. 3923)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01830nam a2200229Ia 4500 |
| 001 - CONTROL NUMBER | |
| control field | 3923 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241121143826.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 240117s9999 xx 000 0 und d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9789490939212 |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | -- |
| 245 #0 - TITLE STATEMENT | |
| Title | Islamic Vases Revisited |
| Statement of responsibility, etc. | / Edo Smithshuijzen |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Name of publisher, distributor, etc. | Khatt Books; |
| Date of publication, distribution, etc. | 2020 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 128p; |
| Dimensions | 22x15cm |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Vases are practically as old as humanity. Each world culture created its own traditional version of containers. Also the Islamic culture had their own types of vases in which the Arabic script played an important role. Over the centuries, the Arabic script has seen endless varieties and styles, also due to the fact that different languages made use of the script, like Arabic, Persian, Indian and Turkish.0In archeological terms an artefact is only called?complete?, when sufficient parts of an artefact have been found to reliably reconstruct the shapes of the missing parts, and thus been given the option to recreate the whole artefact. In this publication the author examines what happens when you make artefacts more than complete.0In the effort, he makes use of the extremely rich Islamic calligraphic tradition. Copying nameless samples found on the digital media. But he also experiments with typefaces designed by contemporary type designers. Traditionally, the vases were ceramic or glass vases. The author uses contemporary digital methods to create the images and to eventually produce his designs in an attempt to inspire and encourage designers to make use of contemporary methods of production to revive a rich tradition. |
| 546 ## - LANGUAGE NOTE | |
| Language note | English |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Arabic Calligraphy. |
| 9 (RLIN) | 666 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | Ceramics. |
| 9 (RLIN) | 2878 |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | NK1648-1678 Decorative Arts- Religious art |
| 9 (RLIN) | 2879 |
| 700 ## - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Smithshuijzen, Edo |
| 9 (RLIN) | 2880 |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Book |
| Source of classification or shelving scheme | Library of Congress Classification |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection | Home library | Current library | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Library of Congress Classification | Decorative Arts | SAF Reference Library | SAF Reference Library | 02/07/2023 | NK1648-1678 7.84 | 3923 | 01/17/2024 | 01/17/2024 | Book |