Sharjah Art Foundation Library

Crating the World (Record no. 3906)

MARC details
000 -LEADER
fixed length control field 02180nam a2200277Ia 4500
001 - CONTROL NUMBER
control field 3906
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241121142632.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 240117s9999 xx 000 0 und d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 2019935692;
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780986205934
040 ## - CATALOGING SOURCE
Transcribing agency --
245 #0 - TITLE STATEMENT
Title Crating the World
Statement of responsibility, etc. / Jacqueline Hoàng Nguyen. Editors: Rado Ištok, Jacqueline Hoàng Nguyễn.
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Athénée Press;
Date of publication, distribution, etc. 2019
300 ## - PHYSICAL DESCRIPTION
Extent 192p;
Dimensions 19x11cm
500 ## - GENERAL NOTE
General note The exhibition 'Black Atlas' and the publication 'Crating the World' were made possible with the support of the Museum of Ethnography in Stockholm, SWICH- Sharing a world of Inclusion, Creativity and Heritage, Sharjah Art Foundation, Konstfack Artists' Book Collection 1, CAMPLE LINE, the Swedish Arts Grants Committee and the Canada Council for the Arts.
520 ## - SUMMARY, ETC.
Summary, etc. Museums of world culture have seldom engaged in self-conscious examination of how their collections were constituted. What were the logistics for transporting these artifacts and how did this material culture become a source for knowledge production in the West? In short, how did the world come to Europe? Crating the World, a project by artist Jacqueline Hoàng Nguyễn, brings together artistic research with essays by leading scholars to examine the historical and ideological constructions of material culture through collecting and photographic practices. Expanding on Nguyễn's traveling exhibition Black Atlas, originally hosted in 2016 by the Museum of Ethnography in Stockholm, Sweden, this book deploys rare and previously unpublished archival material as testimony to the silenced histories of exploitation on which the institution is built. Co-edited by Rado Ištok and Jacqueline Hoàng Nguyễn Contributors: Ariella Azoulay, Michael Barrett, Ulrika Flink, Åsa Bharathi Larsson, Wayne Modest, Gabrielle Moser, and Vincent Normand.
546 ## - LANGUAGE NOTE
Language note English
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Cultural Appropriation.
9 (RLIN) 2849
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element N7560-8266 Special subjects of art
9 (RLIN) 2850
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Restitution
9 (RLIN) 2851
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Museum collections.
9 (RLIN) 2852
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Ištok, Rado
9 (RLIN) 2853
700 ## - ADDED ENTRY--PERSONAL NAME
Personal name Nguyen, Jacqueline Hoàng
9 (RLIN) 2854
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Book
Source of classification or shelving scheme Library of Congress Classification
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection Home library Current library Date acquired Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     Visual Arts SAF Reference Library SAF Reference Library 02/09/2023   N7560-8266 142.774 3906 01/17/2024 01/17/2024 Book

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