MARC details
000 -LEADER |
fixed length control field |
02180nam a2200277Ia 4500 |
001 - CONTROL NUMBER |
control field |
3906 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OSt |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20241121142632.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
fixed length control field |
240117s9999 xx 000 0 und d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
2019935692; |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9780986205934 |
040 ## - CATALOGING SOURCE |
Transcribing agency |
-- |
245 #0 - TITLE STATEMENT |
Title |
Crating the World |
Statement of responsibility, etc. |
/ Jacqueline Hoàng Nguyen. Editors: Rado Ištok, Jacqueline Hoàng Nguyễn. |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Name of publisher, distributor, etc. |
Athénée Press; |
Date of publication, distribution, etc. |
2019 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
192p; |
Dimensions |
19x11cm |
500 ## - GENERAL NOTE |
General note |
The exhibition 'Black Atlas' and the publication 'Crating the World' were made possible with the support of the Museum of Ethnography in Stockholm, SWICH- Sharing a world of Inclusion, Creativity and Heritage, Sharjah Art Foundation, Konstfack Artists' Book Collection 1, CAMPLE LINE, the Swedish Arts Grants Committee and the Canada Council for the Arts. |
520 ## - SUMMARY, ETC. |
Summary, etc. |
Museums of world culture have seldom engaged in self-conscious examination of how their collections were constituted. What were the logistics for transporting these artifacts and how did this material culture become a source for knowledge production in the West? In short, how did the world come to Europe? Crating the World, a project by artist Jacqueline Hoàng Nguyễn, brings together artistic research with essays by leading scholars to examine the historical and ideological constructions of material culture through collecting and photographic practices. Expanding on Nguyễn's traveling exhibition Black Atlas, originally hosted in 2016 by the Museum of Ethnography in Stockholm, Sweden, this book deploys rare and previously unpublished archival material as testimony to the silenced histories of exploitation on which the institution is built. Co-edited by Rado Ištok and Jacqueline Hoàng Nguyễn Contributors: Ariella Azoulay, Michael Barrett, Ulrika Flink, Åsa Bharathi Larsson, Wayne Modest, Gabrielle Moser, and Vincent Normand. |
546 ## - LANGUAGE NOTE |
Language note |
English |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Cultural Appropriation. |
9 (RLIN) |
2849 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
N7560-8266 Special subjects of art |
9 (RLIN) |
2850 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Restitution |
9 (RLIN) |
2851 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
Museum collections. |
9 (RLIN) |
2852 |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Ištok, Rado |
9 (RLIN) |
2853 |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Nguyen, Jacqueline Hoàng |
9 (RLIN) |
2854 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
Source of classification or shelving scheme |
Library of Congress Classification |