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Black Post-Blackness (Record no. 3600)

MARC details
000 -LEADER
fixed length control field	02147nam a2200277Ia 4500
001 - CONTROL NUMBER
control field	3600
003 - CONTROL NUMBER IDENTIFIER
control field	OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field	20241007152739.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field	231005s9999 xx 000 0 und d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number	2017931625
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number	9780252082498
040 ## - CATALOGING SOURCE
Transcribing agency	--
050 ## - LIBRARY OF CONGRESS CALL NUMBER
Classification number	N6490.4 .C73 2017
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name	Crawford, Margo Natalie
9 (RLIN)	1365
245 #0 - TITLE STATEMENT
Title	Black Post-Blackness
Remainder of title	: The Black Arts Movement and Twenty-First-Century Aesthetics
Statement of responsibility, etc.	/ Author: Margo Natalie Crawford
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc.	University of Illinois Press;
Date of publication, distribution, etc.	2017
300 ## - PHYSICAL DESCRIPTION
Extent	264p;
Dimensions	23x15cm
505 ## - FORMATTED CONTENTS NOTE
Formatted contents note	CONTENTS: Introduction -- The aesthetics of anticipation -- The politics of abstraction -- The counter-literacy of black mixed media -- The local and the global : BLKARTSOUTH and Callaloo -- The satire of black post-blackness -- Black inside/out : public interiority and black aesthetics -- Who's afraid of the black fantastic? The substance of surface -- Epilogue : Feeling black post-black.
520 ## - SUMMARY, ETC.
Summary, etc.	"A 2008 cover of The New Yorker featured a much-discussed Black Power parody of Michelle and Barack Obama. The image put a spotlight on how easy it is to flatten the Black Power movement as we imagine new types of blackness. Margo Natalie Crawford argues that we have misread the Black Arts Movement's call for blackness. We have failed to see the movement's anticipation of the "new black" and "post-black." Black Post-Blackness compares the black avant-garde of the 1960s and 1970s Black Arts Movement with the most innovative spins of twenty-first century black aesthetics. Crawford zooms in on the 1970s second wave of the Black Arts Movement and shows the connections between this final wave of the Black Arts movement and the early years of twenty-first century black aesthetics. She uncovers the circle of black post-blackness that pivots on the power of anticipation, abstraction, mixed media, the global South, satire, public interiority, and the fantastic."
546 ## - LANGUAGE NOTE
Language note	English
648 ## - SUBJECT ADDED ENTRY--CHRONOLOGICAL TERM
Chronological term	21st century
9 (RLIN)	1366
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element	African American Literature
9 (RLIN)	1367
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element	PN1-6790 Literature ( General )
9 (RLIN)	21
651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Geographic name	USA
9 (RLIN)	1368
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type	Book
Source of classification or shelving scheme	Library of Congress Classification

Holdings
Withdrawn status	Lost status	Source of classification or shelving scheme	Damaged status	Not for loan	Collection	Home library	Current library	Date acquired	Source of acquisition	Total Checkouts	Full call number	Barcode	Date last seen	Price effective from	Koha item type
		Library of Congress Classification			Visual Arts	SAF Reference Library	SAF Reference Library	03/22/2022	Donation @ MM2023		PN1-6790 11.337	3600	10/05/2023	10/05/2023	Book