The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years Without Images (Record no. 3455)
[ view plain ]
000 -LEADER | |
---|---|
fixed length control field | 02491nam a2200217Ia 4500 |
001 - CONTROL NUMBER | |
control field | 3455 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | OSt |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20241008143217.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 230919s9999 xx 000 0 und d |
040 ## - CATALOGING SOURCE | |
Transcribing agency | -- |
245 #4 - TITLE STATEMENT | |
Title | The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years Without Images |
Statement of responsibility, etc. | / Eric Baudelaire |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Place of publication, distribution, etc. | Madrid; |
Name of publisher, distributor, etc. | Galeria Juana de Aizpuru; |
Date of publication, distribution, etc. | 2012 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 20p; |
Dimensions | 23x17cm |
520 ## - SUMMARY, ETC. | |
Summary, etc. | The political and personal epic of the Japanese Red Army is recounted as an anabasis—a journey that is both a wandering towards the unknown and a return towards home. From Tokyo to Beirut amid the post-1968 ideological fever, and from Beirut to Tokyo at the end of the Red Years, the thirty-year trajectory of a radical fringe of the revolutionary left is recounted by two of its protagonists. One of them is May Shigenobu, daughter of the founder of the small group, who witnessed it closely. Born in secrecy in Lebanon, a clandestine life was all she knew until age 27. But a second life began with her mother’s arrest, and May’s adaptation to a suddenly very public existence. The other is Masao Adachi, the legendary Japanese experimental director who gave up cinema to take up arms with the Japanese Red Army and the Palestinian cause in 1974. For this theorist of the fûkeiron (a movement of Japanese filmmakers who filmed the landscape to reveal ubiquitous structures of power) his 27 years of voluntary exile were without images, since those he filmed in Lebanon were destroyed on three separate occasions during the war. It is therefore words, testimony, memory (and false memory) that structure The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images. Two intersecting accounts mix personal stories, political history, revolutionary propaganda, and film theory. Thirty years of self-invention in which the recurring theme is the question of images: public images produced by the media in response to terrorist operations planned for the television era, and personal images that are lost or destroyed amid the chaos of the struggles. Adopting an experimental documentary format, the accounts of May Shigenobu and Masao Adachi overlay new fûkeiron images, filmed in Super 8 in the contemporary landscapes of Tokyo and Beirut. |
546 ## - LANGUAGE NOTE | |
Language note | English; Korean |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | N4390-5098 Exhibitions |
9 (RLIN) | 5533 |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Fusako Shigenobu |
9 (RLIN) | 922 |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Masao Adachi |
9 (RLIN) | 923 |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | May Shigenobu |
9 (RLIN) | 924 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Booklet w/o spine |
Source of classification or shelving scheme | Library of Congress Classification |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection | Home library | Current library | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
Library of Congress Classification | Visual Arts | SAF Reference Library | SAF Reference Library | 02/25/2020 | N4390-5098 21.2311 | 3455 | 09/19/2023 | 09/19/2023 | Booklet w/o spine |