Sharjah Art Foundation Library

Bagdad mon amour (Record no. 3436)

MARC details
000 -LEADER
fixed length control field 02557nam a2200217Ia 4500
001 - CONTROL NUMBER
control field 3436
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241008130330.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
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020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9791093781112
040 ## - CATALOGING SOURCE
Transcribing agency --
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Montazami, Morad
9 (RLIN) 877
245 #0 - TITLE STATEMENT
Title Bagdad mon amour
Remainder of title : Documents d'exposition
Statement of responsibility, etc. / Editor: Morad Montazami
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Zaman Books;
Date of publication, distribution, etc. 2018
300 ## - PHYSICAL DESCRIPTION
Extent 207p;
Dimensions 23x16cm
520 ## - SUMMARY, ETC.
Summary, etc. This catalogue examines the strategies deployed by Iraqi contemporary artists to reinvent their heritage, after decades of wars. Focusing on archives, historical collections, and databases, these artists celebrate a visual culture that resists erasure. The publication includes a critical apparatus and detailed presentations of the artists. The “exhibition documents” of Baghdad mon amour study modern and contemporary Iraqi art, after the looting of museums and archaeological sites that occurred in 2003, with the Second Gulf War. A post-traumatic investigation that tries to rethink the archives and historical collections through the museum without walls specific to the artists – but also to the databases of Interpol or archaeologists. By seizing tools such as the inventory, the study of monuments and documents, these artists come out with works that are worried, but ready to dance on the ruins: works that carry within them both the ghost museum of Iraq that his museum reinvented. How did Baghdad and Iraq go from the cradle of humanity, through the Mesopotamian heritage, to a tomb of history? How do local artists and artists from the Iraqi diaspora – but also artists from all walks of life – embark on the paths of a territory that is if not erased, at least riddled with missing spaces? How does the existentialism of Baghdad or its lost museums combine with the past, the present and the future? Bagdad mon amour explores these questions through documentary photography, installation, film and other devices. The texts brought together offer a critical but not desperate look at the aesthetics of disaster. As in Hiroshima mon amour by Alain Resnais, the spark of a dream encounter transcends the worst disasters. Latif al-Ani, Bariza Khairi, Kufa Gallery, Morad Montazami, Iraq Museum, Joanne Farchakh-Bajjaly; Ahmed Naji; Jewad Selim; Dia Al Azzawi; Michael Rakowitz; Julien Audebert; Ali Assaf; Resmi al Kafaji; Salam Atta Sabri; Himat; Waddah Faris; Shakir Hassan
546 ## - LANGUAGE NOTE
Language note English; French
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element Iraq
9 (RLIN) 878
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element N4390-5098 Visual Arts. Exhibitions
9 (RLIN) 2
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Book
Source of classification or shelving scheme Library of Congress Classification
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection Home library Current library Date acquired Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     Visual Arts SAF Reference Library SAF Reference Library 07/15/2019   N4390-5098 20.423 3436 09/19/2023 09/19/2023 Book

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