Bagdad mon amour (Record no. 3436)
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000 -LEADER | |
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fixed length control field | 02557nam a2200217Ia 4500 |
001 - CONTROL NUMBER | |
control field | 3436 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | OSt |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20241008130330.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 230919s9999 xx 000 0 und d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9791093781112 |
040 ## - CATALOGING SOURCE | |
Transcribing agency | -- |
100 ## - MAIN ENTRY--PERSONAL NAME | |
Personal name | Montazami, Morad |
9 (RLIN) | 877 |
245 #0 - TITLE STATEMENT | |
Title | Bagdad mon amour |
Remainder of title | : Documents d'exposition |
Statement of responsibility, etc. | / Editor: Morad Montazami |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Name of publisher, distributor, etc. | Zaman Books; |
Date of publication, distribution, etc. | 2018 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 207p; |
Dimensions | 23x16cm |
520 ## - SUMMARY, ETC. | |
Summary, etc. | This catalogue examines the strategies deployed by Iraqi contemporary artists to reinvent their heritage, after decades of wars. Focusing on archives, historical collections, and databases, these artists celebrate a visual culture that resists erasure. The publication includes a critical apparatus and detailed presentations of the artists. The “exhibition documents” of Baghdad mon amour study modern and contemporary Iraqi art, after the looting of museums and archaeological sites that occurred in 2003, with the Second Gulf War. A post-traumatic investigation that tries to rethink the archives and historical collections through the museum without walls specific to the artists – but also to the databases of Interpol or archaeologists. By seizing tools such as the inventory, the study of monuments and documents, these artists come out with works that are worried, but ready to dance on the ruins: works that carry within them both the ghost museum of Iraq that his museum reinvented. How did Baghdad and Iraq go from the cradle of humanity, through the Mesopotamian heritage, to a tomb of history? How do local artists and artists from the Iraqi diaspora – but also artists from all walks of life – embark on the paths of a territory that is if not erased, at least riddled with missing spaces? How does the existentialism of Baghdad or its lost museums combine with the past, the present and the future? Bagdad mon amour explores these questions through documentary photography, installation, film and other devices. The texts brought together offer a critical but not desperate look at the aesthetics of disaster. As in Hiroshima mon amour by Alain Resnais, the spark of a dream encounter transcends the worst disasters. Latif al-Ani, Bariza Khairi, Kufa Gallery, Morad Montazami, Iraq Museum, Joanne Farchakh-Bajjaly; Ahmed Naji; Jewad Selim; Dia Al Azzawi; Michael Rakowitz; Julien Audebert; Ali Assaf; Resmi al Kafaji; Salam Atta Sabri; Himat; Waddah Faris; Shakir Hassan |
546 ## - LANGUAGE NOTE | |
Language note | English; French |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | Iraq |
9 (RLIN) | 878 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | N4390-5098 Visual Arts. Exhibitions |
9 (RLIN) | 2 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Book |
Source of classification or shelving scheme | Library of Congress Classification |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection | Home library | Current library | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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Library of Congress Classification | Visual Arts | SAF Reference Library | SAF Reference Library | 07/15/2019 | N4390-5098 20.423 | 3436 | 09/19/2023 | 09/19/2023 | Book |