MARC details
000 -LEADER |
fixed length control field |
02213nam a2200241Ia 4500 |
001 - CONTROL NUMBER |
control field |
3304 |
003 - CONTROL NUMBER IDENTIFIER |
control field |
OSt |
005 - DATE AND TIME OF LATEST TRANSACTION |
control field |
20250224141234.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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230914s9999 xx 000 0 und d |
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER |
LC control number |
N6496.3.G7 L586 2008 2009378113 |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
International Standard Book Number |
9781846311710 |
040 ## - CATALOGING SOURCE |
Transcribing agency |
-- |
245 #0 - TITLE STATEMENT |
Title |
Liverpool Biennial International 08- Made Up! |
Statement of responsibility, etc. |
/ Director: Lewis Biggs |
260 ## - PUBLICATION, DISTRIBUTION, ETC. |
Name of publisher, distributor, etc. |
Liverpool University Press; |
Date of publication, distribution, etc. |
2008 |
300 ## - PHYSICAL DESCRIPTION |
Extent |
296p; |
Dimensions |
22x18cm |
520 ## - SUMMARY, ETC. |
Summary, etc. |
Celebrating 10 years of commissioning ambitious and challenging new work by leading international artists, the fifth edition of Liverpool Biennial's International exhibition is MADE UP, an exploration of the power of the artistic imagination. The public realm projects continue to be a defining feature of Liverpool Biennial, with over half of the 30-40 commissions situated in the public realm. MADE UP outside the gallery allows fiction to rub up against the real, inviting artists to carve out space for the imagination in the everyday, whether in imaginary models made manifest as real examples, or playful re-workings of the real. MADE UP sees imagination (called 'invention' in the 18th century) as the dynamo of art. At the heart of this exhibition's broad ranging exploration of 'making things up' (which includes utopias and dystopias, narrative fiction, fantasy, myths, lies, prophesies, subversion and spectacle) is the emotional charge which powers the artistic imagination. Whether mischievous, constructive or iconoclastic, MADE UP is about art's capacity to transport us, to suspend disbelief and generate alternative realities. For the first time in 2008, the traditional 'catalogue' will not be produced, but the Biennial Reader will feature ten essays exploring the themes of MADE UP and the featured artists' installations, with full-color contextual images as well as extensive illustration of new artwork from the Biennial. This will include, for the first time, major installations of artwork in the most socially deprived areas of the city. |
546 ## - LANGUAGE NOTE |
Language note |
English |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
N4390-5098 Visual Arts- Exhibitions |
9 (RLIN) |
2 |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM |
Topical term or geographic name entry element |
UK |
9 (RLIN) |
507 |
700 ## - ADDED ENTRY--PERSONAL NAME |
Personal name |
Lewis Biggs |
9 (RLIN) |
508 |
710 ## - ADDED ENTRY--CORPORATE NAME |
Corporate name or jurisdiction name as entry element |
Liverpool Biennial |
9 (RLIN) |
604 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) |
Koha item type |
Book |
Source of classification or shelving scheme |
Library of Congress Classification |