Magiciens de la Terre (Record no. 3261)
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000 -LEADER | |
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fixed length control field | 01997nam a2200217Ia 4500 |
001 - CONTROL NUMBER | |
control field | 3261 |
003 - CONTROL NUMBER IDENTIFIER | |
control field | OSt |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250224133511.0 |
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
fixed length control field | 230914s9999 xx 000 0 und d |
020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
International Standard Book Number | 9782365110488 |
040 ## - CATALOGING SOURCE | |
Transcribing agency | -- |
245 #0 - TITLE STATEMENT | |
Title | Magiciens de la Terre |
Remainder of title | : Retour sur une exposition légendaire |
Statement of responsibility, etc. | / Annie Cohen-Solal; Jean-Hubert Martin |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Name of publisher, distributor, etc. | Centre Pompidou Éditions Xavier Barral; |
Date of publication, distribution, etc. | 2014 |
300 ## - PHYSICAL DESCRIPTION | |
Extent | 390p; |
Dimensions | 25x18cm |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Magiciens de la terre represented a watershed moment in the history of the great exhibitions of the 20th century. From May 18 to August 14, 1989, in the exhibition galleries of the Center Pompidou and La Grande halle de la Villette, it brought together nearly six hundred works produced by more than a hundred contemporary artists. For the first time on a Western stage, half of the artists came from these geographical territories (Africa, West Indies, Asia, Eastern Europe, Oceania) hitherto ignored by the actors of a still all-powerful and ethnocentric Western world. . Jean-Hubert Martin, its curator, had conceived the project by meeting artists from these cultures whom he ironically described as "invisible" and castigated, in a resolutely anti-colonial political bias, “the commonly accepted idea that there is only creation in the plastic arts in the Western or strongly Westernized world. »Twenty-five years after Magiciens de la Terre, at a time when the visual arts are going through a period of accelerated globalization, the Center Pompidou is organising, starting in the spring of 2014, a series of events which aim to examine the genesis of Magiciens de la Terre in order to situate the exhibition in its context and to understand, in particular, the role it played in the process of geographical extension of the contemporary art market. |
546 ## - LANGUAGE NOTE | |
Language note | English; French |
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
Topical term or geographic name entry element | N5300-7418 Visual Arts- History |
9 (RLIN) | 332 |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Annie Cohen-Solal |
9 (RLIN) | 333 |
700 ## - ADDED ENTRY--PERSONAL NAME | |
Personal name | Jean-Hubert Martin |
9 (RLIN) | 334 |
942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
Koha item type | Book |
Source of classification or shelving scheme | Library of Congress Classification |
Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection | Home library | Current library | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
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Library of Congress Classification | Visual Arts | SAF Reference Library | SAF Reference Library | 09/14/2023 | N5300-7418 130.423 | 3261 | 09/14/2023 | 09/14/2023 | Book |