Sharjah Art Foundation Library

Modern Islamic Art: Development and Continuity/ (Record no. 2850)

MARC details
000 -LEADER
fixed length control field 02552nam a2200241Ia 4500
001 - CONTROL NUMBER
control field 2850
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250415125545.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 230509s9999 xx 000 0 und d
010 ## - LIBRARY OF CONGRESS CONTROL NUMBER
LC control number 97-24325
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780813015262
040 ## - CATALOGING SOURCE
Transcribing agency --
050 ## - LIBRARY OF CONGRESS CALL NUMBER
Classification number 709'.17'6710904--dc21
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Ali, Wijdan
9 (RLIN) 7497
245 #0 - TITLE STATEMENT
Title Modern Islamic Art: Development and Continuity/
Statement of responsibility, etc. Wijdan Ali
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. University Press of Florida;
Date of publication, distribution, etc. 1997
300 ## - PHYSICAL DESCRIPTION
Extent 226p;
Dimensions 27x21xm
520 ## - SUMMARY, ETC.
Summary, etc. In this beautifully illustrated book, Wijdan Ali offers a historical survey of the development of modern painting in the Islamic world from the 19th century to the present. She provides background on dominant artistic traditions before 1900 as well as an evaluation of the loss of traditional aesthetics under the impress of Western culture. Ali also explores the persistence and reemergence of calligraphic art as an expression of national artistic identity, and hers is the first book to consider in depth the modern calligraphic school.<br/><br/>Ali's account begins with a descriptive survey of the development of contemporary art in the heartland of Islam, from Morocco to Iran. Her discussion incorporates the historical, political, social, and economic factors that brought about artistic and aesthetic changes in the region. Building on this survey, she analyzes the factors behind the evolution of various styles of calligraphic art, their substyles and adherents, and their respective places within the contemporary calligraphic school. In an appendix, she provides biographical data on the most influential modern Islamic artists. More than 150 color and black-and-white photographs allow the reader to see and appreciate the beauty and importance of these works. <br/><br/>While a few recent collection catalogs have hinted at the growing interest in the art of the Islamic world, Ali's study is by far the most comprehensive yet undertaken of Islamic art in the contemporary period. It will substantially expand the study and concept of "modern art" beyond the narrow province of American and western European schools and establish a broad foundation for future investigation of modern artistic movements in the Middle East.<br/><br/>Wijdan Ali is a painter, art historian, and lecturer at the Institute of Diplomacy, Amman, Jordan. Her most recent publications are What Is Islamic Art? (1996) and Modern Art in Jordan (1996).<br/>
546 ## - LANGUAGE NOTE
Language note English
650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element N5300-7418 Visual Arts- History
651 ## - SUBJECT ADDED ENTRY--GEOGRAPHIC NAME
Geographic name Islamic countries
9 (RLIN) 7498
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Book
Source of classification or shelving scheme Library of Congress Classification
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Collection Home library Current library Date acquired Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     Visual Arts SAF Reference Library SAF Reference Library 07/15/2019   N5300-7418 160.184 2850 05/09/2023 05/09/2023 Book

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