Gary Simmons (Record no. 2085)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01565nam a2200193Ia 4500 |
| 001 - CONTROL NUMBER | |
| control field | 2085 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241010152516.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 230112s9999 xx 000 0 und d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9788862082402 |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | -- |
| 245 #0 - TITLE STATEMENT | |
| Title | Gary Simmons |
| Remainder of title | : Paradise |
| Statement of responsibility, etc. | / Editors: Alexander Ferrando and Manuela Mozo |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Italy; |
| Name of publisher, distributor, etc. | Damiani Editore; |
| Date of publication, distribution, etc. | 2012 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 192p; |
| Dimensions | 30x25cm |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Text by Gwen Allen, Nancy Princenthal, Charles Wylie. Conversation with Okwui Enwezor. After leaving Cal Arts in 1990, Gary Simmons (born 1964) moved to New York and set up his studio in a former school building where he found himself clearing away blackboards to make space for his sculpture. Soon after, Simmons began his first series of chalk drawings on blackboards. It was this work, focusing on the development of racial, class and cultural identities through cartoon imagery, which paved the way for his signature "erasure" technique. While Simmons, who has often defined himself as a sculptor, is widely known for the erasure drawings, he has consistently worked across media. This overview of Simmons's 20-plus year career brings together for the first time his photographs, installations, public projects, sculpture, drawings and paintings. Alongside approximately 150 plates, Paradise includes an in-depth interview with Okwui Enwezor, critical essays by Gwen Allen and Charles Wylie and a reprint of an important early text by Nancy Princenthal. |
| 546 ## - LANGUAGE NOTE | |
| Language note | English |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | N8350-8356 Art as a profession. Artists |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Book |
| Source of classification or shelving scheme | Library of Congress Classification |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection | Home library | Current library | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Library of Congress Classification | Visual Arts | SAF Reference Library | SAF Reference Library | 12/20/2022 | N8350-8356 190.65 | 2085 | 01/12/2023 | 01/12/2023 | Book |