Black books, Daily Life (Record no. 1662)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01823nam a2200193Ia 4500 |
| 001 - CONTROL NUMBER | |
| control field | 1662 |
| 003 - CONTROL NUMBER IDENTIFIER | |
| control field | OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20241016123853.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION | |
| fixed length control field | 221206s9999 xx 000 0 und d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER | |
| International Standard Book Number | 9722377510085 |
| 040 ## - CATALOGING SOURCE | |
| Transcribing agency | -- |
| 245 #0 - TITLE STATEMENT | |
| Title | Black books, Daily Life |
| Remainder of title | : Atelier McClane |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Place of publication, distribution, etc. | Rennes; |
| Name of publisher, distributor, etc. | Lendroit Editions |
| Date of publication, distribution, etc. | 2017 |
| 300 ## - PHYSICAL DESCRIPTION | |
| Extent | 148p; |
| Dimensions | 16x23cm |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | A set of serigraphs, drawings and paintings where everything is black and white and constitutes a reflective mirror of the four-handed practice of the artist duos Atelier McClane. Atelier McClane was born in 2013 from the meeting between the worlds and the design of Julia Crinon and Hugo Marchal. The drawing with four hands is therefore, from their beginning, characteristic of the identity of the collective. Since then, the McClanes have explored, always together, other mediums such as screen printing, self-publishing, installation, the creation of posters, etc. Through them, it is also the discovery of other distribution systems, of alternative scenes that have opened up new paths for the collective, both plastic and thematic. The recent images proposed by the collective appear like the reflections of mirrors held up to the contemporary world. Work, the place of the individual in an extremely normalized society or even systems of domination are all notions through which the McClanes take a stand – without the tone ever being peremptory, the symbolic images always offering several reading grades. This is reflected, in their works, by a radical use of black and white, by the precision of the line of the drawing that comes to counterbalance the gestures of the painting or by the association of various referents by the collage. |
| 546 ## - LANGUAGE NOTE | |
| Language note | English |
| 650 ## - SUBJECT ADDED ENTRY--TOPICAL TERM | |
| Topical term or geographic name entry element | N4390-5098 Visual Arts- Exhibitions |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) | |
| Koha item type | Book |
| Source of classification or shelving scheme | Library of Congress Classification |
| Withdrawn status | Lost status | Source of classification or shelving scheme | Damaged status | Not for loan | Collection | Home library | Current library | Date acquired | Total Checkouts | Full call number | Barcode | Date last seen | Price effective from | Koha item type |
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| Library of Congress Classification | Visual Arts | SAF Reference Library | SAF Reference Library | 11/14/2022 | N4390-5098 582 | 1662 | 12/06/2022 | 12/06/2022 | Book |