Sharjah Art Foundation Library

S as in Samsam (Record no. 1326)

MARC details
000 -LEADER
fixed length control field 02119 a2200193 4500
001 - CONTROL NUMBER
control field 1326
003 - CONTROL NUMBER IDENTIFIER
control field OSt
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20241104122941.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 241104b |||||||| |||| 00| 0 eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9780997120622
040 ## - CATALOGING SOURCE
Transcribing agency --
100 ## - MAIN ENTRY--PERSONAL NAME
Personal name Sowon Kwon
9 (RLIN) 5914
245 #0 - TITLE STATEMENT
Title S as in Samsam
Statement of responsibility, etc. / Sowon Kwon
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Name of publisher, distributor, etc. Triple Canopy/ Seretary Press;
Date of publication, distribution, etc. 2107
300 ## - PHYSICAL DESCRIPTION
Extent 60p;
520 ## - SUMMARY, ETC.
Summary, etc. Sowon Kwon begins S AS IN SAMSAM by recounting her twenty-something cousin visiting New York City from South Korea. Having not seen the cousin since she was a girl with ribbons in her hair, Kwon wonders about the degree of formality with which to address her. She notes the importance, in Korean, of "establishing the correct amount of distance between you and another." She goes on to ponder the coincidence of the homophony of the Korean slang term of respect and affection for teacher, Romanized as sam, and the diminutive of the name Samuel. Sam seems to crystallize the traffic between formality and intimacy, and even the touching of disparate language families. In pursuit of such interplay, prompted by viewings of operas and sitcoms, aided by search algorithms, Kwon creates a constellation of sams: Samuel L. Jackson merges with Uncle Sam, Sam Cooke mingles with Samson, Saruman spars with Toni Morrison. As she assembles images, Kwon reveals how authority and nationality are personified. At the same time, she remembers how authority was exercised by her own teachers, how they struck a balance between knowing and not knowing, how they illuminated "a way from information to meaning." Kwon's episodic essay shuttles between memoir and wordplay, scrutiny of conventions of Korean speech and revelation in the coincidences of I Dream of Jeannie and Salome. Kwon, an artist, illustrates S AS IN SAMSAM with her own drawings as well as a bevy of found images. The book is an adaptation of an essay by the same name, published online by Triple Canopy in 2016 as part of Standard Evaluation Materials, an issue devoted to harmonizing bodies, regulating speech, and fixing time.
546 ## - LANGUAGE NOTE
Language note English
942 ## - ADDED ENTRY ELEMENTS (KOHA)
Koha item type Book
Source of classification or shelving scheme Library of Congress Classification
Holdings
Withdrawn status Lost status Source of classification or shelving scheme Damaged status Not for loan Home library Current library Date acquired Source of acquisition Total Checkouts Full call number Barcode Date last seen Price effective from Koha item type
    Library of Congress Classification     SAF Reference Library SAF Reference Library 07/11/2019 Focal Point   N81-390 208.655.FP 1326 09/19/2022 09/19/2022 Book | Book
    Library of Congress Classification     SAF Reference Library SAF Reference Library 07/11/2019 Focal Point   N81-390 208.655.FP 1326-2 11/04/2024 09/19/2022 Book

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