MARC details
| 000 -LEADER |
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| fixed length control field |
01836 a2200181 4500 |
| 001 - CONTROL NUMBER |
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| control field |
1172 |
| 003 - CONTROL NUMBER IDENTIFIER |
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| control field |
OSt |
| 005 - DATE AND TIME OF LATEST TRANSACTION |
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| control field |
20241118154402.0 |
| 008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION |
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| fixed length control field |
241118b |||||||| |||| 00| 0 eng d |
| 020 ## - INTERNATIONAL STANDARD BOOK NUMBER |
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| International Standard Book Number |
9789492095626 |
| 040 ## - CATALOGING SOURCE |
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| Transcribing agency |
-- |
| 100 ## - MAIN ENTRY--PERSONAL NAME |
|---|
| Personal name |
Garca̕-Antn̤, Katya |
| 9 (RLIN) |
6154 |
| 245 #0 - TITLE STATEMENT |
|---|
| Title |
Sovereign Words: |
| Remainder of title |
Indigenous Art, Curation and Criticism/ |
| Statement of responsibility, etc. |
Edited by Katya Garca̕-Antn̤ |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. |
|---|
| Place of publication, distribution, etc. |
Oslo; |
| Name of publisher, distributor, etc. |
Office for Contemporary Art Norway; |
| Date of publication, distribution, etc. |
2018 |
| 520 ## - SUMMARY, ETC. |
|---|
| Summary, etc. |
"Edited by Katya García-Antón. Text by Daniel Browning, Kabita Chakma, Megan Cope, Santosh Kumar Das, Hannah Donnelly, Léuli Mazyar Luna’i Eshraghi, David Garneau, Biung Ismahasan, Kimberley Moulton, Máret Ánne Sara, Venkat Raman Singh Shyam, Irene Snarby, Ánde Somby, Megan Tamati-Quennell, Prashanta Tripura, Sontosh Bikash Tripura, Liv Brissach, Katya García-Antón, Drew Snyder, Nikhil Vettukattil.<br/>Artists and cultural practitioners from Indigenous communities around the world are increasingly in the international spotlight. As museums and curators race to consider the planetary reach of their collections and exhibitions, this timely publication considers the challenges faced today by cultural workers, Indigenous and non-Indigenous, as they try to engage meaningfully with the histories, presents and futures of Indigenous cultural practices.<br/><br/>In this volume, 16 Indigenous voices convene to consider some of the most burning questions surrounding this field. What are the novel and empowering methodologies of the future? What are the possibilities and limitations of a politics of inclusion? To whom does the much talked-of “Indigenous Turn” belong? A first-of-its-kind reader appearing at a critical moment, Sovereign Words includes perspectives across art, film, ethics, history, theory and museology."<br/> |
| 546 ## - LANGUAGE NOTE |
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| Language note |
English |
| 942 ## - ADDED ENTRY ELEMENTS (KOHA) |
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| Koha item type |
Book |
| Source of classification or shelving scheme |
Library of Congress Classification |