000 | 01058nam a2200145Ia 4500 | ||
---|---|---|---|
008 | 221019s9999 xx 000 0 und d | ||
020 | _a9789262612029 | ||
245 | 0 |
_aOne place after another _b: site-specific art and locational identity _cKwon, Miwon |
|
260 |
_aMassachusetts, USA _bMIT Press _c2002 |
||
300 |
_a218p _c23cm |
||
520 | _aSite-specific art emerged in the late 1960s in reaction to the growing commodification of art and the prevailing ideals of art's autonomy and universality. Throughout the 1970s and 1980s, as site-specific art intersected with land art, process art, performance art, conceptual art, installation art, institutional critique, community-based art, and public art, its creators insisted on the inseparability of the work and its context. The book addresses the work of among others, John Ahearn, Mark Dion, Andrea Fraser, Donald Judd, Renee Green, Suzanne Lacy, Inigo Manglano-Ovalle, Richard Serra, Mierle Laderman Ukeles, and Fred Wilson. | ||
546 | _aEnglish | ||
650 | _aN5300-7418 Visual Arts- History | ||
942 | _cBK | ||
999 |
_c1587 _d1587 |