000			01536nam a2200157Ia 4500
008			220919s9999 xx 000 0 und d
020			_a9781934105825
245		0	_aHito Steyerl _bThe Wretched of the Screen _cSeries editors: Julieta Aranda, Brian Kuan Wood, Anton Vidokle
260			_aBerlin _bSternberg Press; e-flux _c2012
300			_a198 p _c18cm x 11cm
490			_ae-flux journal Series
520			_aIn Hito Steyerl’s writing we begin to see how, even if the hopes and desires for coherent collective political projects have been displaced onto images and screens, it is precisely here that we must look frankly at the technology that seals them in. The Wretched of the Screen collects a number of Steyerl’s landmark essays from recent years in which she has steadily developed her very own politics of the image. Twisting the politics of representation around the representation of politics, these essays uncover a rich trove of information in the formal shifts and aberrant distortions of accelerated capitalism, of the art system as a vast mine of labor extraction and passionate commitment, of occupation and internship, of structural and literal violence, enchantment and fun, of hysterical, uncontrollable flight through the wreckage of postcolonial and modernist discourses and their unanticipated openings. e-flux journal Series edited by Julieta Aranda, Brian Kuan Wood, Anton Vidokle
546			_aEnglish
942			_cBK
953			_8N61-72 _aSAFL _bSAFL _cBC13SH1 _d11/5/21 _eFocal Point _oN61-72 199.716 c1 _p439 _yBK
999			_c1240 _d1240